At all events, what he did whenever wild glances from both girls told
him that he had got to say something or other, was to repeat over and
over again a phrase that sounded like "She's champing, she's champing."
Evarne felt really angry at his stupidity in describing her as if she
had been a fretful mare instead of a dying maiden. Finally, it dawned on
her perception that this imbecile doctor was holding out hope to the
weeping friends around her couch--assuring them that the patient was
"champion"!--Scotch for "in excellent health." What a monstrous lack of
resource on Mont's part, when he knew right well that the curtain
descended on the touching demise of this damsel whom he persisted in
describing as "champion"!
As to poor "Highland Mary" herself, she was utterly tricked and sold.
Where were all the graceful gestures to the perfecting of which so much
practice had been devoted? Where those truly dramatic attempts to spring
from the bed with outstretched arms, as beauteous visions assailed her
dying eyes? Where the pathetic leaning over to one side to gently stroke
the bent head of the weeping "Bess"? Where all those sweet and realistic
little touches which were to have brought tears to the eyes of even a
bored and irate audience? All impossible! Out of the question! Had
investigation been made, the luckless "Mary" would have been found to be
breathing out her last sigh upon a couple of chairs laid over on their
sides, with two tin bonnet-boxes between them to render this makeshift
couch sufficiently long.
As it was, her toes projected over the end of the lowest chair, while
she suffered such anguish from knobs and spikes that it composed a mild
form of torture. Yet whenever she dared to so much as wriggle, the
tin-boxes creaked loudly, while had she attempted to gain genuine relief
by actually shifting from her first position--had she not lain
absolutely motionless, propped up on one elbow, which soon ached to
distraction--tragedy would have been turned to comedy with a vengeance.
Those rickety chairs would assuredly have over-tipped, and the audience
would have beheld "Mary" and her improvised couch rolling pell-mell
together down to the footlights.
Mr. Heathmore started by explaining to the audience that his part had
been sent to him too late to be possibly learnt; then he undisguisedly
proceeded to read it. In the "glen scene" Evarne found it truly
disconcerting to have to stand throughout these endless love-speeches,
her waist tenderly encircled by "Burns's" arm sure enough, but with his
head all the time turned right away from her in order to gaze on the
script that he held in his other hand. As to the rest of the drama, she
never had been able to learn properly who was whom, or what they were
all up to, and even the first public performance threw no light on the
puzzle.
Public-domain text, read in full here on John Shaqi.
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