Seldwyla Folks: Three Singular TalesKeller, Gottfried
General
Seldwyla Folks: Three Singular Tales
Keller, Gottfried
Switzerland -- Social life and customs -- Fiction
The name alone and the style of architecture had remained. The house
itself consisted of but one story, and on top of that an open loggia
had been erected, the roof of which was borne on the four corners by
statues of sandstone. These were meant for the four archangels and were
wholly defaced. At the edge of the roof could be seen all about small
angels carved of the same material and all of them playing some musical
instrument, the angels themselves showing monstrous heads and big
paunches, fiddling, touching the triangle, blowing the flute, striking
the cymbal or the tambourine; these instruments had originally been
gilt. The ceiling inside and the low sidewalls, as well as all the rest
of the house were still covered with rather dingy fresco paintings, and
these represented dancing and singing saints. But all of it had
suffered from the weather and the rain, and was now as indistinct and
chaotic as a dream itself. And besides, all over the walls clambered
grapevines, and at this time of year purplish ripening grapes peeped
forth from between the foliage. All about the house itself there stood
chestnut trees, and gnarled big rosebushes, growing wildly after a
fashion of their own, just as lilac bushes would grow elsewhere.
The loggia served as dance hall, and as Vreni and Sali came in sight of
the building they could notice the dancing couples turning around and
around under the open roof, and outside, under the trees, drinking,
shouting and noisy men and women were disporting themselves. It was a
merry throng.
Vreni, who was carrying in her hand, demurely and almost piously, her
wonderful gingerbread palace, resembled one of those ancient and
sainted church patronesses sometimes seen in missals, with a model of
the cathedral or other devout foundation displayed which would earn her
the Church's benediction. But as soon as she heard the wild music that
came down in a tumbling stream from the loggia, the poor thing forgot
her grief. Suddenly all alive she demanded rapturously that Sali should
dance with her. They pushed their way through all these people that
were crowding the environs of the house and the lower floor, these
being mostly ragged people from Seldwyla, with some who had been making
a cheap excursion into the country, and all sorts of homeless vagrants.
Then they ascended the stairs and at once after arriving on top they
seized each other and were whirling away in a lively waltz. Not an eye
did they give to their surroundings until the music came to a temporary
halt. Then they stopped and turned around. Vreni had crushed her
gingerbread house, and was just going to shed a few tears on that
account when she noticed the black fiddler, and now felt a veritable
terror.
Public-domain text, read in full here on John Shaqi.
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