IV. Roman period; from the establishment of the Empire to the decay of art and letters after the death of Marcus Aurelius, B.C. 30-A.D. 180. This period falls into three subdivisions; (1) poets of the Augustan age; (2) those of what may roughly be called the Neronian age, about the middle of the first century; and (3) those of the brief and partial renascence of art and letters under Hadrian, which, before the accession of Commodus, had again sunk away, leaving a period of some centuries almost wholly without either, but for the beginnings of Christian art and the writings of the earlier Fathers of the Church. Even from the outset of this period the epigram begins to fall off. There is a tendency to choose trifling subjects, and treat them either sentimentally or cynically. The heaviness of Roman workmanship affects all but a few of the best epigrams, and there is a loss of simplicity and clearness of outline. Many of the poets of this period, if not most, lived as dependants in wealthy Roman families and wrote to order: and we see in their work the bad results of an excessive taste for rhetoric and the practice of fluent but empty improvisation. (1) ANTIPATER OF THESSALONICA, the author of upwards of a hundred epigrams in the Anthology, is the most copious and perhaps the most interesting of the Augustan epigrammatists. There are many allusions in his work to contemporary history. He lived under the patronage of L. Calpurnius Piso, consul in B.C. 15, and afterwards proconsul of Macedonia for several years, and was appointed by him governor of Thessalonica. One of his epigrams celebrates the foundation of Nicopolis by Octavianus, after the battle of Actium; another anticipates his victory over the Parthians in the expedition of B.C. 20; another is addressed to Caius Caesar, who died in A.D. 4. None can be ascribed certainly to a later date than this. ANTIPHANES the Macedonian is the author of ten epigrams in the Palatine Anthology; one of these, however, is headed "Antiphanes of Megalopolis" and may be by a different author. There is no precise indication of time in his poems. BIANOR of Bithynia is the author of twenty-two epigrams in the Anthology. One of them is on the destruction of Sardis by an earthquake in A.D. 17. He is fond of sentimental treatment, which sometimes touches pathos but often becomes trifling.