Epigrams, Greek; Greek poetry -- Translations into English
PALLADAS of Alexandria is the author of one hundred and fifty-one
epigrams (besides twenty-three more doubtful) in the Anthology. His
somber and melancholy figure is one of the last of the purely pagan
world in its losing battle against Christianity. One of the epigrams
attributed to him on the authority of Planudes is an eulogy on the
celebrated Hypatia, daughter of Theon of Alexandria, whose tragic
death took place A.D. 415 in the reign of Theodosius the Second.
Another was, according to a scholium in the Palatine MS., written in
the reign of Valentinian and Valens, joint-emperors, 364-375 A.D. The
epigram on the destruction of Berytus, ix. 27 in this selection, gives
no certain argument of date. Palladas was a grammarian by profession.
An anonymous epigram (/Anth. Pal./ ix. 380) speaks of him as of high
poetical reputation; and, indeed, in those dark ages the harsh and
bitter force that underlies his crude thought and half-barbarous
language is enough to give him a place of note. Casaubon dismisses him
in two contemptuous words as "versificator insulsissimus"; this is
true of a great part of his work, and would perhaps be true of it all
but for the /saeva indignatio/ which kindles the verse, not into the
flame of poetry, but as it were to a dull red heat. There is little
direct allusion in his epigrams to the struggle against the new
religion. One epigram speaks obscurely of the destruction of the idols
of Alexandria by the Christian populace in the archiepiscopate of
Theophilus, A.D. 389; another in even more enigmatic language (/Anth.
Pal./ x. 90) seems to be a bitter attack on the doctrine of the
Resurrection; and a scornful couplet against the swarms of Egyptian
monks might have been written by a Reformer of the sixteenth century.
For the most part his sympathy with the losing side is only betrayed
in his despondency over all things. But it is in his criticism of life
that the power of Palladas lies; with a remorselessness like that of
Swift he tears the coverings from human frailty and holds it up in its
meanness and misery. The lines on the Descent of Man (/Anth. Pal./ x.
45), which unfortunately cannot be included in this selection, fall as
heavily on the Neo-Platonic martyr as on the Christian persecutor, and
remain even now among the most mordant and crushing sarcasms ever
passed upon mankind.
To the same period in thought--beyond this there is no clue to their
date--belong AESOPUS and GLYCON, each the author of a single epigram
in the Palatine Anthology. They belong to the age of the Byzantine
metaphrasts, when infinite pains were taken to rewrite well-known
poems or passages in different metres, by turning Homer into elegiacs
or iambics, and recasting pieces of Euripides or Menander as epigrams.
Public-domain text, read in full here on John Shaqi.
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