How could you imagine that I could be otherwise than
pleased--delighted rather--with your letter? And let me not omit the
fact that I reply the instant I am at liberty, for I was enrobing
myself for church. You are a child of simplicity, I know, and do not
love robing; but you are a pupil of liberality, and look upon such
things with a large mind, smiling in charity. Well! I was putting on
the great black gown when my servant--(you see I can be pompous, to
write of gowns and servants with such familiarity)--when he brought me
a letter first directed, the words yet legible, to 'George Crabbe,
at Belvoir Castle', and then by Lord Mendip to the 'Reverend' at
Trowbridge; and at Trowbridge I hope again to receive these welcome
evidences of your remembrance, directed in all their simplicity, and
written, I trust, in all sincerity....
There was a Suffolk family of Alexanders, one of whom you probably
mean; and as he knew very little of me, I see no reason why he should
not give me a good character ... If it means, as it generally does,
that I paid my debts, and was guilty of no glaring world-defying
immorality--why yes!--I was so far a good character....
But your motive for writing to me was your desire of knowing whether
my men and women were really existing creatures, or beings of my own
imagination? Nay, Mary Leadbeater, yours was a better motive; you
thought that you should give pleasure by writing, and--yet you will
think me very vain--you felt some pleasure yourself in renewing the
acquaintance that commenced under such auspices! Am I not right?
My heart tells me that I am, and hopes that you will confirm it.
Be assured that I feel a very cordial esteem for the friend of my
friend,--the virtuous, the worthy character whom I am addressing.
Yes, I will tell you readily about my creatures, whom I endeavoured to
paint as nearly as I could, and dared; for in some cases I dared not.
This you will readily admit; besides, charity bade me be cautious.
Thus far you are correct; there is not one of whom I had not in my
mind the original; but I was obliged in some cases to take them from
their real situations, in one or two instances to change even the sex,
and in many the circumstances. The nearest to real life was the proud
ostentatious man in _The Borough_, who disguises an ordinary mind by
doing great things; but the others approach to reality at greater or
less distances. Indeed, I do not know that I could paint merely
from my own fancy, and there is no cause why we should. Is there not
diversity sufficient in society? And who can go, even but a little,
into the assemblies of our fellow-wanderers from the way of perfect
rectitude, and not find characters so varied and so pointed that he
need not call upon his imagination?
Public-domain text, read in full here on John Shaqi.
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