_Thou art
Achilles’ self, and not Achilles’ son._
And note his craftiest device. He observes that candour is called (what
it appears to be) ‘the characteristic note of friendship’, while lack of
candour is the negation of friendship and spirit. He does not fail,
therefore, to imitate this quality also. As a skilful _chef_ will use
some bitter or piquant juice for a sauce in order to prevent sweets from
cloying, so with the candour [Sidenote: D] of the toady. It is not
genuine, nor is it useful; it is given, as it were, with a wink, and
serves simply as an excitant. The result is that he is as hard to detect
as one of those creatures which possess the natural power of altering
their colour so as to match the spot on which they happen to lie. Since,
therefore, it is under cover of resemblances that he deceives us, our
proper course is to find in the non-resemblances a means of stripping
off his disguise and showing that—as Plato puts it—he is ‘beautifying
himself with borrowed forms and colours through lack of any of his own’.
Let us begin at the very beginning. In most instances, we remarked,
friendship commences with similarity of temperament [Sidenote: E] and
disposition, a taste for very much the same habits and principles, and a
delight in the same pursuits, occupations, and pastimes. Such a
similarity is implied in the lines:
_Most welcome to the old is old men’s speech;
Child pleaseth child, and woman pleaseth woman,
Sick men the sick, and one who meets disaste
Brings solace to another suffering it._
The toady knows that it is natural to find pleasure in one’s like and to
be fond of his society. This, therefore, is his first device [Sidenote:
F] for approaching you and getting neighbours with you. He acts like
herdsmen on a pasture. He works gently up to you and rubs shoulders with
you in the same pursuits, amusements, tastes, and way of life, until you
give him his chance and let yourself grow tame and accustomed to his
touch. He condemns such circumstances, such conduct, and such persons as
he notices you dislike; while of those that please you he cannot say too
much in praise, exhibiting boundless delight and admiration [Sidenote:
52] for them. He thus confirms you in your loves and hatreds, as being
the results, not of feelings, but of judgement.
Public-domain text, read in full here on John Shaqi.
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