Nicias the painter was so taken up with his artistic work that he was
often obliged to ask his servants whether he had had his [Sidenote: C]
bath or his breakfast. Archimedes stuck so closely to his drawing-board
that, in order to anoint him, his attendants had to drag him away and
strip him by force. He then went on drawing his diagrams in the ointment
on his body. Carus the flutist (an acquaintance of your own) used to say
that people did not know how much more pleasure he himself got from
playing than he gave to others; otherwise an audience would be paid to
listen instead of paying. Can we fail to perceive how great are the
pleasures derived from fine actions and public-spirited achievements by
those who put high qualities to use? Nor is it by means of those
effeminate titillations which soft and agreeable movements exert upon
the flesh. The ticklings of the flesh [Sidenote: D] are spasmodic,
fickle, intermittent, whereas the pleasures of noble deeds—the creations
of the true statesman’s art—will bear the soul aloft in grandeur and
pride and joy, as if, I will not say upon the ‘_golden wings_’ of
Euripides, but upon those ‘_celestial pinions_’ described by Plato.
Remember the instances of which you have so often heard. Epaminondas,
when asked what had been his most pleasurable experience, replied,
‘Having been victorious at Leuctra while [Sidenote: E] my father and
mother were still alive.’ When Sulla first reached Rome after purging
Italy of its civil wars, he could not sleep a wink that night. As he has
written in his own _Notes and Recollections_, so elated was his mind
with the greatness of his joy and happiness, that it seemed to walk on
air. If we admit, with Xenophon, that ‘_no hearing is so agreeable as
praise_‘, no sight, recollection, or reflection is so fraught with
gratification as the contemplation of exploits of our own in the
conspicuous public arena of office and statesmanship. Not but what, when
[Sidenote: F] a grateful goodwill testifies to our achievements, and
when there is a rivalry of commendation productive of well-earned
popularity, our merit acquires a gloss and brilliance which adds to our
sense of pleasure.
Therefore, instead of permitting our reputation to wither in our old age
like an athlete’s crown, we must be constantly adopting new devices and
making fresh efforts to enliven the sense of past obligation, to enhance
it, and to make it permanent. We must act like the craftsmen who were
required to provide for the security of the Delian ship. They used to
replace unsound timbers by others, and, by means of insertions and
repairs, were regarded as keeping the vessel immortal and indestructible
from [Sidenote: 787] the oldest times. Reputation is like flame. There
is no difficulty in keeping it alive; it merely requires a little
feeding with fuel. But let either of them become extinct and cold, and
it will take some trouble to rekindle.
Public-domain text, read in full here on John Shaqi.
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