_Clutching his garment she stays him, though eager he be for
departure._
You are aware that I have performed my public duty at many a Pythian
festival. But you would not say ‘Plutarch, you have done enough in the
way of sacrifices, processions, and choruses. You are now in years; it
is time to put off your wreath; age entitles you to leave the shrine
alone’. Well, look at your own duty in the same way. In the sacred
service of the State you are coryphaeus and prophet, and it is not for
you to abandon that worship of Zeus, God of State and Assembly, in which
you have been so long initiated and are so thoroughly versed.
[Sidenote: 793] Permit me now to leave the arguments for quitting public
life, and to examine another point. We must beware of inflicting upon
our old age an unbecoming or exacting task, when so many portions of
public work are so well suited to that time of life. If it had been
proper for us to go on singing all our days, there are at our disposal
many keys and modes, or, as the musicians call them, ‘systems.’ Our
right course in our old age would have been to cultivate, not a mode
both high and sharp, but one combining ease with appropriate character.
And since Nature prompts mankind to act and speak—even more [Sidenote:
B] than it prompts the swan to sing—until the end, our duty is not to
lay action aside, like a lyre of too high a pitch, but to lower the key
and adapt it to such forms of public effort as are light, unexacting,
and within an old man’s compass. We do not leave our bodies entirely
without muscular exercise because we cannot use the spade and the
jumping-weights, or hurl the discus, or practise fencing, as we used to
do. We swing or walk, and in some cases the breathing is exercised and
warmth stimulated by playing a gentle game of ball, or by conversation.
On the one hand, then, do not let us allow ourselves to become
[Sidenote: C] stiff and torpid from inactivity. On the other, let us not
undertake any and every official position, clutch at any and every kind
of public work, and bring such an exposure upon old age that it is
driven to exclaim in despair:
_Right hand, how fain art thou to grasp the spear!
How vain thy longing, in thy strengthlessness!_
Public-domain text, read in full here on John Shaqi.
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