The greater a poet's message, the more profound his thought, the larger his range, and the more exquisite his note, the deeper and more incessant will be his demand upon his reader. That is why the great poets have had to wait for their recognition. Only the few will or can co-operate at the beginning, but they are the leaven; and now whole masses can see the poetic purport of SHELLEY, COLERIDGE, KEATS and WORDSWORTH, of whom the contemporary criticism was a thing over which you laugh or cry, as the mood has you. Those who see in Mr FRANCIS THOMPSON an authentic poet have at any rate the profound interest of watching the various stages in the making of their immortal. How have the portents followed the precedent afforded by the poets just named? In general, very accurately, we think. The common attitude of critics towards them and him has been very similar--in the case of SHELLEY it is so near in its very wording as to be sometimes startling. Extravagances and novelties of diction, a toppling over of images, and "obscurity"--of course that--were dwelt upon by objectors--very just objectors, no doubt--who busied and troubled about details, lost all sense of proportion, and had no ear for the great and ultimate meaning of the poet's message.... The note that comes most majestically from Mr THOMPSON is that of the reconciliation of the two natures and destinies of man. To that literal oneness WORDSWORTH groped in his merely "kindred points of heaven and home." Of that oneness ROSSETTI has the hint, and COVENTRY PATMORE the full vision. Mr THOMPSON is the heir of the poets, and he has entered fully into his inheritance. He has not picked their flowers and worn them fading; their seed has passed into his life, and they have blossomed anew.--_The Academy._ No other among the younger poets so effectually proclaimed a mastery of the grand style: none other had so securely occupied a position on the right side of the line which for ever separates inspiration from talent, poetry from agreeable verse. He appeared on the scene fully equipped. There were no long years of public neglect, or production of volumes which lay unnoticed on the bookstalls before being cast into the dust heap. The marvellous splendour of his first volume revealed a writer of no common order; with a secureness of touch, a magical decoration of style, and a real message behind all the pomp and glitter and dazzling display. It was art not for art's sake, but charged with a meaning and a name. _The Hound of Heaven_ was hailed by all competent critics as one of the great religious poems of this time or of any time.--_The Daily News._ [Illustration] THE WORKS OF FRANCIS THOMPSON DEFINITIVE EDITION IN THREE VOLUMES. Volumes I and II contain the Poetry; Volume III consists of "Shelley," "Health and Holiness" and a selection from Thompson's literary and critical articles. With Portraits in Photogravure. Buckram gilt, 6s. net each. _The volumes are sold singly._