California -- Social life and customs -- Fiction; Short stories, American; Western stories
“Hush!”
We were silent.
“Listen!” He puts his arm around my neck and whispers in my ear, “I'm a
MOVING OFF!”
“Moving off?”
“Hush! Don't speak so loud. Moving off. Ah! wot's that? Don't you
hear?--there! listen!”
We listen, and hear the water gurgle and click beneath the floor.
“It's them wot he sent!--Old Altascar sent. They've been here all night.
I heard 'em first in the creek, when they came to tell the old man to
move farther off. They came nearer and nearer. They whispered under the
door, and I saw their eyes on the step--their cruel, hard eyes. Ah, why
don't they quit?”
I tell the men to search the room and see if they can find any further
traces of the family, while Tryan resumes his old attitude. It is so
much like the figure I remember on the breezy night that a superstitious
feeling is fast overcoming me. When they have returned, I tell them
briefly what I know of him, and the old man murmurs again:
“Why don't they quit, then? They have the stock--all gone--gone, gone
for the hides and hoofs,” and he groans bitterly.
“There are other boats below us. The shanty cannot have drifted far, and
perhaps the family are safe by this time,” says the coxswain, hopefully.
We lift the old man up, for he is quite helpless, and carry him to
the boat. He is still grasping the Bible in his right hand, though its
strengthening grace is blank to his vacant eye, and he cowers in the
stern as we pull slowly to the steamer while a pale gleam in the sky
shows the coming day.
I was weary with excitement, and when we reached the steamer, and I had
seen Joseph Tryan comfortably bestowed, I wrapped myself in a blanket
near the boiler and presently fell asleep. But even then the figure of
the old man often started before me, and a sense of uneasiness about
George made a strong undercurrent to my drifting dreams. I was awakened
at about eight o'clock in the morning by the engineer, who told me one
of the old man's sons had been picked up and was now on board.
“Is it George Tryan?” I ask quickly.
“Don't know; but he's a sweet one, whoever he is,” adds the engineer,
with a smile at some luscious remembrance. “You'll find him for'ard.”
I hurry to the bow of the boat, and find, not George, but the
irrepressible Wise, sitting on a coil of rope, a little dirtier and
rather more dilapidated than I can remember having seen him.
He is examining, with apparent admiration, some rough, dry clothes
that have been put out for his disposal. I cannot help thinking that
circumstances have somewhat exalted his usual cheerfulness. He puts me
at my ease by at once addressing me:
“These are high old times, ain't they? I say, what do you reckon's
become o' them thar bound'ry moniments you stuck? Ah!”
The pause which succeeds this outburst is the effect of a spasm of
admiration at a pair of high boots, which, by great exertion, he has at
last pulled on his feet.
Public-domain text, read in full here on John Shaqi.
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