California -- Social life and customs -- Fiction; Short stories, American; Western stories
There was a shout, an imprecation, a scuffle, and the trampling of many
feet. Then the crowd parted right and left, and two sharp quick reports
followed each other in rapid succession. Then they closed again about
his opponent, and the master was standing alone. He remembered picking
bits of burning wadding from his coat sleeve with his left hand. Someone
was holding his other hand. Looking at it, he saw it was still bleeding
from the blow, but his fingers were clenched around the handle of a
glittering knife. He could not remember when or how he got it.
The man who was holding his hand was Mr. Morpher. He hurried the master
to the door, but the master held back, and tried to tell him as well
as he could with his parched throat about “Mliss.” “It's all right,
my boy,” said Mr. Morpher. “She's home!” And they passed out into the
street together. As they walked along Mr. Morpher said that Mliss had
come running into the house a few moments before, and had dragged him
out, saying that somebody was trying to kill the master at the Arcade.
Wishing to be alone, the master promised Mr. Morpher that he would not
seek the agent again that night, and parted from him, taking the road
toward the schoolhouse. He was surprised in nearing it to find the door
open--still more surprised to find Mliss sitting there.
The master's nature, as I have hinted before, had, like most sensitive
organizations, a selfish basis. The brutal taunt thrown out by his late
adversary still rankled in his heart. It was possible, he thought, that
such a construction might be put upon his affection for the child,
which at best was foolish and Quixotic. Besides, had she not voluntarily
abnegated his authority and affection? And what had everybody else said
about her? Why should he alone combat the opinion of all, and be at last
obliged tacitly to confess the truth of all they predicted? And he had
been a participant in a low barroom fight with a common boor, and risked
his life, to prove what? What had he proved? Nothing? What would the
people say? What would his friends say? What would McSnagley say?
In his self-accusation the last person he should have wished to meet was
Mliss. He entered the door, and going up to his desk, told the child, in
a few cold words, that he was busy, and wished to be alone. As she
rose he took her vacant seat, and, sitting down, buried his head in his
hands. When he looked up again she was still standing there. She was
looking at his face with an anxious expression.
“Did you kill him?” she asked.
“No!” said the master.
“That's what I gave you the knife for!” said the child, quickly.
“Gave me the knife?” repeated the master, in bewilderment.
“Yes, gave you the knife. I was there under the bar. Saw you hit him.
Saw you both fall. He dropped his old knife. I gave it to you. Why
didn't you stick him?” said Mliss rapidly, with an expressive twinkle of
the black eyes and a gesture of the little red hand.
The master could only look his astonishment.
Public-domain text, read in full here on John Shaqi.
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