Selections from American poetry, with special reference to Poe, Longfellow, Lowell and Whittier
General
Selections from American poetry, with special reference to Poe, Longfellow, Lowell and Whittier
American poetry
Have you heard of the wonderful one-horse shay,
That was built in such a logical way
It ran a hundred years to a day,
And then, of a sudden, it--ah but stay,
I'll tell you what happened without delay,
Scaring the parson into fits,
Frightening people out of their wits,
Have you ever heard of that, I say?
Seventeen hundred and fifty-five,
Georgius Secundus was then alive,
Snuffy old drone from the German hive.
That was the year when Lisbon-town
Saw the earth open and gulp her down
And Braddock's army was done so brown,
Left without a scalp to its crown.
It was on the terrible Earthquake-day
That the Deacon finished the one-hoss shay.
Now in building of chaises, I tell you what,
There is always somewhere a weakest spot,--
In hub, tire, felloe, in spring or thill,
In panel, or crossbar, or floor, or sill,
In screw, bolt, thoroughbrace,--lurking still,
Find it somewhere you must and will,--
Above or below, or within or without,--
And that's the reason, beyond a doubt,
That a chaise breaks down, but doesn't wear out.
But the Deacon swore (as Deacons do,
With an "I dew vum," or an "I tell yeou,")
He would build one shay to beat the taown
'n' the keounty 'n' all the kentry raoun';
It should be so built that it couldn' break daown,
"Fur," said the Deacon, "It's mighty plain
Thut the weakes' place mus' Stan' the strain;
'n' the way t' fix it, uz I maintain,
Is only jest
T' make that place uz strong uz the rest."
So the Deacon inquired of the village folk
Where he could find the strongest oak,
That couldn't be split nor bent nor broke,
That was for spokes and floor and sills;
He sent for lancewood to make the thins;
The crossbars were ash, from the straightest trees.
The panels of white-wood, that cuts like cheese,
But lasts like iron for things like these;
The hubs of logs from the "Settler's ellum,"--
Public-domain text, read in full here on John Shaqi.
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