Selections from the Poems and Plays of Robert BrowningBrowning, Robert
General
Selections from the Poems and Plays of Robert Browning
Browning, Robert
Drama; English poetry; Poetry -- Collections
172. _Carouse in the past._ This line marks a change in the direction of
David's thought. Up to stanza X it was the glorious past that he had
been urging upon Saul's attention. But now he realizes that true
inspiration comes not so much from a re-living of one's achievements, as
from the thought of the permanence of one's fame and one's deeds.
192. _And behold while I sang._ At this point David is overcome by the
memory of the sudden spiritual illumination that came to him in his
interview with Saul. He had reached the summit of his endeavor (l. 191)
and yet knew himself powerless to give the King new life. Then there
flashed upon him the truth expressed in stanzas XVII-XIX. He breaks off
in lines 192-205, going, in his strong feeling, ahead of his story and
commenting on what is described in stanza XIX. In stanza XV he resumes
his narrative.
204. _Hebron._ David watches the slow coming of the dawn over the hill
on which is situated the town of Hebron.
205. _Kidron._ A brook near Jerusalem. It is fed by springs, and the
amount of water in it is sensibly decreased by the extreme heat of the
day.
214. _Ere error had bent._ In _I Samuel_, Chapter xv, is an account of
Saul's disobedience and punishment. The choosing of Saul to be king is
described in _I Samuel_, Chapters ix and x.
292. _Sabaoth._ The word means "hosts" and is ordinarily used in the
phrase "The Lord of hosts." It represents the omnipotence of God.
303. _Nor leave up nor down_, etc. At the end of stanza xv, the thought
that had come to David was that God had proved supreme in all the ways
in which a human being could test knowledge and power, but that in the
one way of love the creature might surpass the Creator. At line 302 he
has come to believe in the infinitude of God's love as well as in the
infinitude of His power. It is interesting to note that George Eliot in
_Silas Marner_ gives to ignorant Dolly Winthrop an experience and a
philosophy of life almost identical with those of Browning's David.
307-312. A prophecy of the revelation of the divine in the human, the
coming of God in the person of Christ. It is the human in the divine
that men seek and love. In the Old Testament days such an idea, though
foretold and longed for, could be but vaguely conceived except in
moments of especial insight in the minds of poet-prophets like David.
Mr. Herford (_Robert Browning_, p. 120) says of this passage:
"David is occupied with no speculative question, but with the practical
problem of saving a ruined soul; and neither logical ingenuity nor
divine suggestion, but the inherent spiritual significance of the
situation, urges his thought along the lonely path of prophecy. The love
for the old King, which prompted him to try all the hidden paths of his
soul in quest of healing, becomes a lighted torch by which he tracks out
the meaning of the world and the still unrevealed purposes of God; until
the energy of thought culminates in vision and the Christ stands full
before his eyes."
Public-domain text, read in full here on John Shaqi.
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