Selections from the Poems and Plays of Robert BrowningBrowning, Robert
General
Selections from the Poems and Plays of Robert Browning
Browning, Robert
Drama; English poetry; Poetry -- Collections
_Fano._ This poem was written in the summer of 1848 after a visit of
three days at Fano. It is addressed to Alfred Domett, one of Browning's
warm friends, who was at that time in New Zealand on the Wairoa River.
For a vivid description of him see Browning's "Waring." The picture at
Fano, the details of which are fully brought out in the poem, has been
reproduced in _Illustrations to Browning's Poems_, Part I, published by
the Browning Society. Mrs. Browning (_Letters_ i, 380) speaks of it as
"a divine picture of Guercino's worth going all that way to see."
6. _Another child for tending._ With a longing for guidance and
protection Browning imagines himself as a child under the guardianship
of the angel.
16. _Like that child._ The child in the picture looks into the heavens.
Browning would look only at the gracious face of the angel.
46. _My angel._ Cf. "My love," l. 54. Both refer to Mrs. Browning.
MEMORABILIA
_Pauline_ (1832) has many references to Shelley; note especially lines
151-229; 1020-1031. Browning's "Essay on Shelley" appeared in 1852.
"Memorabilia" was composed in 1853-4.
18-28. That later in life Browning "came to think unfavorably of Shelley
as a man and to esteem him less highly as a poet" is shown by a letter
written to Dr. Furnivall: "For myself I painfully contrast my notions of
Shelley the _man_ and Shelley, well, even the _poet_, with what they
were sixty years ago." (Quoted by Mr. Dowden: _Robert Browning_, p. 10.)
Mr. Browning declined an invitation to be president of the Shelley
Society. For a discussion of Shelley's influence on Browning see
_Poet-Lore_, Volume VII, January, 1895.
INCIDENT OF THE FRENCH CAMP
Ratisbon, a city of Bavaria, was stormed by Napoleon in 1809. The story
told in the poem is a true one, but its hero was a man, not a boy.
MY LAST DUCHESS
The original title in _Dramatic Lyrics_, 1842, was "Italy." It is a poem
of the Italian Renaissance. Fra Pandolf and Claus of Innsbruck are,
however, imaginary artists.
THE BOY AND THE ANGEL
There is no known original for the story of Theocrite, but it is in
accord with the Roman Catholic belief that angels watch over human
beings and are interested in their affairs. In the last line is the
fundamental lesson of the poem. Compare the thought of Pippa in the song
"All service ranks the same with God." See Leigh Hunt's "King Robert of
Sicily" (in _A Jar of Honey_, ch. vi.) and Longfellow's "King Robert of
Sicily" (in _Tales of a Wayside Inn_) for an analogous legend.
THE PIED PIPER OF HAMELIN
Public-domain text, read in full here on John Shaqi.
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