Selections from the Prose Works of Matthew ArnoldArnold, Matthew
General
Selections from the Prose Works of Matthew Arnold
Arnold, Matthew
English essays -- 19th century
then, I think, we shall be disposed to say that in Shakespeare's
"I know a bank where the wild thyme blows,
Where oxlips and the nodding violet grows,
Quite over-canopied with luscious woodbine,
With sweet musk-roses and with eglantine--"[291]
it is mainly a Greek note which is struck. Then, again in his
" ... look how the floor of heaven
Is thick inlaid with patines of bright gold!"[292]
we are at the very point of transition from the Greek note to the
Celtic; there is the Greek clearness and brightness, with the Celtic
aërialness and magic coming in. Then we have the sheer, inimitable
Celtic note in passages like this:--
"Met we on hill, in dale, forest or mead,
By paved fountain or by rushy brook,
Or in the beached margent of the sea--"[293]
or this, the last I will quote:--
"The moon shines bright. In such a night as this,
When the sweet wind did gently kiss the trees,
And they did make no noise, in such a night
Troilus, methinks, mounted the Trojan walls--
... in such a night
Did Thisbe fearfully o'ertrip the dew--
... in such a night
_Stood Dido, with a willow in her hand,
Upon the wild sea-banks, and waved her love
To come again to Carthage._"[294]
And those last lines of all are so drenched and intoxicated with the
fairy-dew of that natural magic which is our theme, that I cannot do
better than end with them.
And now, with the pieces of evidence in our hand, let us go to those who
say it is vain to look for Celtic elements in any Englishman, and let us
ask them, first, if they seize what we mean by the power of natural
magic in Celtic poetry: secondly, if English poetry does not eminently
exhibit this power; and, thirdly, where they suppose English poetry got
it from?
GEORGE SAND[295]
The months go round, and anniversaries return; on the ninth of June
George Sand will have been dead just one year. She was born in 1804; she
was almost seventy-two years old when she died. She came to Paris after
the revolution of 1830, with her _Indiana_[296] written, and began her
life of independence, her life of authorship, her life as _George Sand_.
She continued at work till she died. For forty-five years she was
writing and publishing, and filled Europe with her name.
Public-domain text, read in full here on John Shaqi.
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