Selections from the Prose Works of Matthew ArnoldArnold, Matthew
General
Selections from the Prose Works of Matthew Arnold
Arnold, Matthew
English essays -- 19th century
Where one is more inclined to differ from Madame Sand is in her estimate
of her Republican friends of the educated classes. They may stand, she
says, for the genius and the soul of France; they represent its "exalted
imagination and profound sensibility," while the peasant represents its
humble, sound, indispensable body. Her protégé, the peasant, is much
ruder with those eloquent gentlemen, and has his own name for one and
all of them, _l'avocat_, by which he means to convey his belief that
words are more to be looked for from that quarter than seriousness and
profit. It seems to me by no means certain but that the peasant is in
the right.
George Sand herself has said admirable things of these friends of hers;
of their want of patience, temper, wisdom; of their "vague and violent
way of talking"; of their interminable flow of "stimulating phrases,
cold as death." Her own place is of course with the party and propaganda
of organic change. But George Sand felt the poetry of the past; she had
no hatreds; the furies, the follies, the self-deceptions of secularist
and revolutionist fanatics filled her with dismay. They are, indeed, the
great danger of France, and it is amongst the educated and articulate
classes of France that they prevail. If the educated and articulate
classes in France were as sound in their way as the inarticulate peasant
is in his, France would present a different spectacle. Not "imagination
and sensibility" are so much required from the educated classes of
France, as simpler, more serious views of life; a knowledge how great a
part _conduct_ (if M. Challemel-Lacour[342] will allow me to say so)
fills in it; a better example. The few who see this, such as Madame Sand
among the dead, and M. Renan[343] among the living, perhaps awaken on
that account, amongst quiet observers at a distance, all the more
sympathy; but in France they are isolated.
All the later work of George Sand, however, all her hope of genuine
social renovation, take the simple and serious ground so necessary. "The
cure for us is far more simple than we will believe. All the better
natures amongst us see it and feel it. It is a good direction given by
ourselves to our hearts and consciences;--_une bonne direction donnée
par nous-mêmes à nos coeurs et à nos consciences_."[344] These are among
the last words of her _Journal_ of 1870.
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Public-domain text, read in full here on John Shaqi.
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