Selections from the Prose Works of Matthew ArnoldArnold, Matthew
General
Selections from the Prose Works of Matthew Arnold
Arnold, Matthew
English essays -- 19th century
That is a description of what Mr. Bright[480] would call the residuum,
only our author seems to think the residuum a very large body. And its
condition strikes him with amazement and horror. And surely well it may.
Let us recall Mr. Hamerton's account of the most illiterate class in
France; what an amount of civilization they have notwithstanding! And
this is always to be understood, in hearing or reading a Frenchman's
praise of England. He envies our liberty, our public spirit, our trade,
our stability. But there is always a reserve in his mind. He never means
for a moment that he would like to change with us. Life seems to him so
much better a thing in France for so many more people, that, in spite of
the fearful troubles of France, it is best to be a Frenchman. A
Frenchman might agree with Mr. Cobden,[481] that life is good in England
for those people who have at least £5000 a year. But the civilization of
that immense majority who have not £5000 a year, or, £500, or even
£100,--of our middle and lower class,--seems to him too deplorable.
And now what has this condition of our middle and lower class to tell us
about equality? How is it, must we not ask, how is it that, being
without fearful troubles, having so many achievements to show and so
much success, having as a nation a deep sense for conduct, having signal
energy and honesty, having a splendid aristocracy, having an
exceptionally large class of gentlemen, we are yet so little civilized?
How is it that our middle and lower classes, in spite of the individuals
among them who are raised by happy gifts of nature to a more humane
life, in spite of the seriousness of the middle class, in spite of the
honesty and power of true work, the _virtus verusque labor_, which are
to be found in abundance throughout the lower, do yet present, as a
whole, the characters which we have seen?
Public-domain text, read in full here on John Shaqi.
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