I think it is clear, that, if my account be only in the main correct, the Turkish power certainly is not a civilized, and is a barbarous power. The barbarian lives without principle and without aim; he does but reflect the successive 25 outward circumstances in which he finds himself, and he varies with them. He changes suddenly, when their change is sudden, and is as unlike what he was just before, as one fortune or external condition is unlike another. He moves when he is urged by appetite; else, he remains in sloth and inactivity. He lives, and he dies, and he has done nothing, but leaves the 5 world as he found it. And what the individual is, such is his whole generation; and as that generation, such is the generation before and after. No generation can say what it has been doing; it has not made the state of things better 10 or worse; for retrogression there is hardly room; for progress, no sort of material. Now I shall show that these characteristics of the barbarian are rudimental points, as I may call them, in the picture of the Turks, as drawn by those who 15 have studied them. I shall principally avail myself of the information supplied by Mr. Thornton and M. Volney, men of name and ability, and for various reasons preferable as authorities to writers of the present day. 20 "The Turks," says Mr. Thornton, who, though not blind to their shortcomings, is certainly favorable to them, "the Turks are of a grave and saturnine cast ... patient of hunger and privations, capable of enduring the hardships of 25 war, but not much inclined to habits of industry.... They prefer apathy and indolence to active enjoyments; but when moved by a powerful stimulus they sometimes indulge in pleasures in excess." "The Turk," he says elsewhere, 30 "stretched at his ease on the banks of the Bosphorus, glides down the stream of existence without reflection on the past, and without anxiety for the future. His life is one continued and unvaried reverie. To his imagination the whole universe appears occupied in procuring him 5 pleasures.... Every custom invites to repose, and every object inspires an indolent voluptuousness. Their delight is to recline on soft verdure under the shade of trees, and to muse without fixing the attention, lulled by the trickling of a 10 fountain or the murmuring of a rivulet, and inhaling through their pipe a gently inebriating vapor. Such pleasures, the highest which the rich can enjoy, are equally within the reach of the artisan or the peasant." 15