Selections from Wordsworth and TennysonTennyson, Alfred Tennyson, Baron
General
Selections from Wordsworth and Tennyson
Tennyson, Alfred Tennyson, Baron
English poetry -- 19th century
klar, and clear,
sinn; and think;
du hin? goest thou?
Du Bachlein, silberhell und Thou little brook, silver bright Du eilst
vorueber immerdar, Thou hastenest ever onward, Am Ufer steh' ich,
sinn' und I stand on the brink, think Wo kommst du her? Wo gehst
Whence comest thou? Where
The Brook replies:
Schoss, dark rocks,
Moss'. and moss.
Ich komm' aus dunkler Felsen I come from the bosom of the Mein Lauf
geht ueber Blum' und My course goes over flowers
The charm of the poem lies in its delicate characterization, in its tone
of pensive memory suffused with cheerfulness, and especially in the song
of the brook, about which the action revolves. Twenty years have wrought
many changes in the human lives of the story, but the brook flows on
forever, and Darnley bridge still spans the brimming river, and shows for
only change a richer growth of ivy.
6. HOW MONEY BREEDS, i.e. by producing interest at loan.
8. THE THING THAT--IS. The poet's function is thus described by
Shakespeare:
As imagination bodies forth
The forms of things unknown, the poet's pen
Turns them to shapes, and gives to airy nothing
A local habitation and a name.
--_Midsummer Night's Dream_, V., 1.
17. HALF-ENGLISH NEILGHERRY AIR. The Neilgherry Hills are in Madras.
The climate resembles somewhat that of England.
37. MORE IVY, i.e. than twenty years ago.
46. WILLOW WEED AND MALLOW. These are marsh plants.
93-95. NOT ILLITERATE--DEED. Katie was not without reading; but she was
not of those who dabble in sentimental novels (the source of imaginary
tears), and saturate themselves with unctuous charities; and whose powers
to act are sapped by their excess of feeling.
105. UNCLAIM'D. As having nothing to do with her. Katie resented the
implication in the question of line 100. She therefore disdained to
answer it. Messrs. Rowe and Webb hold that line 100 is a hint that the
speaker, Lawrence Aylmer, was responsible for James's fit of jealousy.
l25f. Note the art with which the old man's garrulousness is expressed.
The cautious precision of lines 151-152 is particularly apt.
176. NETTED SUNBEAM. The sunlight reflected like a net-work on the
bottom. The ripples on the surface would have this effect.
189. ARNO. A river in Italy which flows past Florence.
189-190. DOME OF BRUNELLESCHI. Brunelleschi (Broo-nei-les'-ke) was an
Italian architect (1377-1444), who completed the cathedral of Santa Maria
in Florence. Its dome is of great size and impressiveness.
194. BY--SEAS. Tennyson was fond of quoting this line as one of his
roost successful individual lines. Its rhythm is indeed sonorous.
195-196. AND HOLD--APRIL AUTUMNS. Objection has been taken to the
somewhat pedantic precision of these lines. See, however, the reference
on pp. lxxii.-lxxvii. to Tennyson's employment of science in poetry.
Public-domain text, read in full here on John Shaqi.
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