Great Britain -- Social life and customs -- Fiction; Self-control -- Fiction; Women -- Fiction
He soon discovered a situation that promised comfort. It was in the
outskirts of the town, a small flower-garden belonged to the house, the
apartments were airy and commodious, the furniture was handsome, and the
whole most finically neat. The rent, however, exceeded that of
Montreville's present lodgings; and De Courcy knew that this objection
would be insurmountable. That Laura should submit to the inelegancies of
a mean habitation, was what he could not bear to think of; and he
determined, by a friendly little artifice, to reconcile Montreville's
comfort with his economy. The surgeon had named two or three weeks as
the time likely to elapse before Montreville could commence his journey.
De Courcy paid in advance above half the rent of the apartments for a
month, charging the landlady to keep the real rent a secret from her
lodgers.
As far as the author of these memoirs has been able to learn, this was
the only artifice that ever Montague De Courcy practised in his life;
and it led, as artifices are wont to do, to consequences which the
contriver neither wished nor foresaw.
Much to his satisfaction, Montreville was soon settled in his new abode,
where De Courcy continued to be his daily visitor. A certain delicacy
prevented Laura from endeavouring to procure a reversal of her father's
decree, issued in a moment of peevishness, that she should paint no more
with a view to pecuniary reward. She felt that he had been wrong, and
she shrunk from reminding him of it, till her labours should again
become necessary. But, desirous to convey to Mrs De Courcy some token of
her remembrance and gratitude, she employed some of the hours which
Montague spent with her father, in labouring a picture which she
intended to send to Norwood. The subject was the choice of Hercules; and
to make her gift the more acceptable, she presented in the hero a
picture of De Courcy, while the form and countenance of Virtue, were
copied from the simple majesty of her own. The figure of Pleasure was a
fancied one, and it cost the fair artist unspeakable labour. She could
not pourtray what she would have shrunk from beholding--a female
voluptuary. Her draperies were always designed with the most chastened
decency; and, after all her toil, even the form of Pleasure came sober
and matronly from the hand of Laura.
Designing a little surprise for her friends, she had never mentioned
this picture to De Courcy; and as she daily stole some of the hours of
his visits to bestow upon it, it advanced rapidly. Montague bore these
absences with impatience; but Montreville, who knew how Laura was
employed, took no notice of them, and De Courcy durst not complain.
Public-domain text, read in full here on John Shaqi.
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