When Callot at length reached Florence, a gentleman, pleased with his ingenious ardour, placed him with an artist to study; but he was not satisfied to stop short of Rome, and we find him shortly on his way thither. At Rome he made the acquaintance of Porigi and Thomassin, who, on seeing his crayon sketches, predicted for him a brilliant career as an artist. But a friend of Callot’s family having accidentally encountered him, took steps to compel the fugitive to return home. By this time he had acquired such a love of wandering that he could not rest; so he ran away a second time, and a second time he was brought back by his elder brother, who caught him at Turin. At last the father, seeing resistance was in vain, gave his reluctant consent to Callot’s prosecuting his studies at Rome. Thither he went accordingly; and this time he remained, diligently studying design and engraving for several years, under competent masters. On his way back to France, he was encouraged by Cosmo II. to remain at Florence, where he studied and worked for several years more. On the death of his patron he returned to his family at Nancy, where, by the use of his burin and needle, he shortly acquired both wealth and fame. When Nancy was taken by siege during the civil wars, Callot was requested by Richelieu to make a design and engraving of the event, but the artist would not commemorate the disaster which had befallen his native place, and he refused point-blank. Richelieu could not shake his resolution, and threw him into prison. There Callot met with some of his old friends the gipsies, who had relieved his wants on his first journey to Rome. When Louis XIII. heard of his imprisonment, he not only released him, but offered to grant him any favour he might ask. Callot immediately requested that his old companions, the gipsies, might be set free and permitted to beg in Paris without molestation. This odd request was granted on condition that Callot should engrave their portraits, and hence his curious book of engravings entitled “The Beggars.” Louis is said to have offered Callot a pension of 3000 livres provided he would not leave Paris; but the artist was now too much of a Bohemian, and prized his liberty too highly to permit him to accept it; and he returned to Nancy, where he worked till his death. His industry may be inferred from the number of his engravings and etchings, of which he left not fewer than 1600. He was especially fond of grotesque subjects, which he treated with great skill; his free etchings, touched with the graver, being executed with especial delicacy and wonderful minuteness.