Sentimental Tommy: The Story of His BoyhoodBarrie, J. M. (James Matthew)
History
Sentimental Tommy: The Story of His Boyhood
Barrie, J. M. (James Matthew)
London (England) -- History -- 19th century -- Fiction
Suddenly she became confidential. "Do you think I showed my love too
openly?" she asked eagerly. "I tried to hide it, you know. I covered my
face with my hands, but he pulled them away, and then, of course, he
knew."
She went on, "I kissed his horse's nose, and he said I did that because
it was his horse. How could he know? When I asked him how he knew, he
kissed me, and I pretended to be angry and ran away. But I was not
angry, and I said to myself, 'I am glad, I am glad, I am glad!'
"I wanted so to be good, but--It is so difficult to refuse when you
love him very much, don't you think?"
The pathos of that was lost on the girl, and the Painted Lady continued
sadly: "It would be so nice, would it not, if they liked us to be good?
I think it would be sweet." She bent forward and whispered emphatically,
"But they don't, you know--it bores them.
"Never bore them--and they are so easily bored! It bores them if you say
you want to be married. I think it would be sweet to be married, but you
should never ask for a wedding. They give you everything else, but if
you say you want a wedding, they stamp their feet and go away. Why are
you crying, girl? You should not cry; they don't like it. Put on your
prettiest gown and laugh and pretend you are happy, and then they will
tell you naughty stories and give you these." She felt her ears and
looked at her fingers, on which there may once have been jewels, but
there were none now.
"If you cry you lose your complexion, and then they don't love you any
more. I had always such a beautiful skin. Some ladies when they lose
their complexion paint. Horrid, isn't it? I wonder they can do such a
thing."
She eyed Elspeth suspiciously. "But of course you might do it just a
little," she said, pleadingly--"just to make them go on loving you,
don't you think?
"When they don't want to come any more they write you a letter, and you
run with it to your room and kiss it, because you don't know what is
inside. Then you open it, and that breaks your heart, you know." She
nodded her head sagaciously and smiled with tears in her eyes. "Never,
never, never open the letter. Keep it unopened on your breast, and then
you can always think that he may come to-morrow. And if--"
Someone was approaching, and she stopped and listened. "My brat!" she
cried, furiously, "she is always following me," and she poured forth a
torrent of filthy abuse of Grizel, in the midst of which Tommy (for it
was he) appeared and carried Elspeth off hastily. This was the only
conversation either child ever had with the Painted Lady, and it bore
bad fruit for Grizel. Elspeth told some of the Monypenny women about it,
and they thought it their duty to point out to Aaron that the Painted
Lady and her child were not desirable acquaintances for Tommy and
Elspeth.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account