Sentimental Tommy: The Story of His BoyhoodBarrie, J. M. (James Matthew)
History
Sentimental Tommy: The Story of His Boyhood
Barrie, J. M. (James Matthew)
London (England) -- History -- 19th century -- Fiction
"Tommy," he says, with a shudder, "do you--you dinna think it's a' true,
do you?" But the ill-fated prince only gives him a warning look and
plunges into the mazes of the forest. For a long time silence reigns
over the Den. Lights glint fitfully, a human voice imitates the
plaintive cry of the peewit, cautious whistling follows, comes next the
clash of arms, and the scream of one in the death-throes, and again
silence falls. Stroke emerges near the Reekie Broth Pot, wiping his
sword and muttering, "Faugh! it drippeth!" At the same moment the air is
filled with music of more than mortal--well, the air is filled with
music. It seems to come from but a few yards away, and pressing his hand
to his throbbing brow the Chevalier presses forward till, pushing aside
the branches of a fallen fir, he comes suddenly upon a scene of such
romantic beauty that he stands rooted to the ground. Before him, softly
lit by a half-moon (the man in it perspiring with curiosity), is a
miniature dell, behind which rise threatening rocks, overgrown here and
there by grass, heath, and bracken, while in the centre of the dell is a
bubbling spring called the Cuttle Well, whose water, as it overflows a
natural basin, soaks into the surrounding ground and so finds a way into
the picturesque stream below. But it is not the loveliness of the spot
which fascinates the prince; rather is it the exquisite creature who
sits by the bubbling spring, a reed from a hand-loom in her hands, from
which she strikes mournful sounds, the while she raises her voice in
song. A pink scarf and a blue ribbon are crossed upon her breast, her
dark tresses kiss her lovely neck, and as she sits on the only dry
stone, her face raised as if in wrapt communion with the heavens, and
her feet tucked beneath her to avoid the mud, she seems not a human
being, but the very spirit of the place and hour. The royal wanderer
remains spellbound, while she strikes her lyre and sings (with but one
trivial alteration) the song of MacMurrough:--
Awake on your hills, on your islands awake,
Brave sons of the mountains, the frith and the lake!
'Tis the bugle--but not for the chase is the call;
'Tis the pibroch's shrill summons--but not to the hall.
'Tis the summons of heroes for conquest or death,
When the banners are blazing on mountain and heath;
They call to the dirk, the claymore and the targe,
To the march and the muster, the line and the charge.
Be the brand of each Chieftain like Stroke's in his ire!
May the blood through his veins flow like currents of fire!
Burst the base foreign yoke as your sires did of yore,
Or die like your sires, and endure it no more.
As the fair singer concluded, Stroke, who had been deeply moved, heaved
a great sigh, and immediately, as if in echo of it, came a sigh from the
opposite side of the dell. In a second of time three people had learned
that a certain lady had two lovers. She starts to her feet, still
carefully avoiding the puddles, but it is not she who speaks.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account