Sentimental Tommy: The Story of His BoyhoodBarrie, J. M. (James Matthew)
History
Sentimental Tommy: The Story of His Boyhood
Barrie, J. M. (James Matthew)
London (England) -- History -- 19th century -- Fiction
Even Tommy felt uneasy, but when Gavinia cried, "There's something
uncanny in being out the night; tell us what was in Mr. McLean's bottle,
Tommy, and syne we'll run hame," he became Commander Sandys again, and
replied, blankly, "What bottle?"
"The ane I warned you he was to fling into the water; dinna dare tell me
you hinna got it."
"I know not what thou art speaking about," said Tommy; "but it's a queer
thing, it's a queer thing, Gavinia"--here he fixed her with his
terrifying eye--"I happen to have found a--another bottle," and still
glaring at her he explained that he had found his bottle floating on
the horizon. It contained a letter to him, which he now read aloud. It
was signed "The Villain Stroke, his mark," and announced that the
writer, "tired of this relentless persecution," had determined to reform
rather than be killed. "Meet me at the Cuttle Well, on Saturday, when
the eight-o'clock bell is ringing," he wrote, "and I shall there make
you an offer for my freedom."
The crew received this communication with shouts, Gavinia's cry of "Five
shillings, if no ten!" expressing the general sentiment, but it would
not have been like Tommy to think with them. "You poor things," he said,
"you just believe everything you're telled! How do I know that this is
not a trick of Stroke's to bring me here when he is some other gait
working mischief?"
Corp was impressed, but Gavinia said, short-sightedly, "There's no sign
o't."
"There's ower much sign o't," retorted Tommy. "What's this story about
Double Dykes? And how do we ken that there hasna been foul work there,
and this man at the bottom o't? I tell you, before the world's half an
hour older, I'll find out," and he looked significantly at Corp, who
answered, quaking, "I winna gang by mysel', no, Tommy, I winna!"
So Tommy had to accompany him, saying, valiantly, "I'm no feared, and
this rime is fine for hodding in," to which Corp replied, as firmly,
"Neither am I, and we can aye keep touching cauld iron." Before they
were half way down the Double Dykes they got a thrill, for they
realized, simultaneously, that they were being followed. They stopped
and gripped each other hard, but now they could hear nothing.
"The Painted Lady!" Corp whispered.
"Stroke!" Tommy replied, as cautiously. He was excited rather than
afraid, and had the pluck to cry, "Wha's that? I see you!"--but no
answer came back through the mist, and now the boys had a double reason
for pressing forward.
"Can you see the house, Corp?"
"It should be here about, but it's smored in rime."
"I'm touching the paling. I ken the road to the window now."
"Hark! What's that?"
It sounded like devil's music in front of them, and they fell back until
Corp remembered, "It maun be the door swinging open, and squealing and
moaning on its hinges. Tommy, I take ill wi' that. What can it mean?"
Public-domain text, read in full here on John Shaqi.
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