Sentimental Tommy: The Story of His BoyhoodBarrie, J. M. (James Matthew)
History
Sentimental Tommy: The Story of His Boyhood
Barrie, J. M. (James Matthew)
London (England) -- History -- 19th century -- Fiction
By and by the Painted Lady came along the road. She was a little woman,
brightly dressed, so fragile that a collie might have knocked her over
with his tail, and she had a beautiful white-and-pink face, the white
ending of a sudden in the middle of her neck, where it met skin of a
duller color. As she tripped along with mincing gait, she was speaking
confidentially to herself, but when she saw Dite grinning, she seemed,
first, afraid, and then sorry for herself, and then she tried to carry
it off with a giggle, cocking her head impudently at him. Even then she
looked childish, and a faded guilelessness, with many pretty airs and
graces, still lingered about her, like innocent birds loath to be gone
from the spot where their nest has been. When she had passed monotony
again reigned, and Dite crossed to the smithy window, though none of the
letters could be for him. He could read the addresses on six of them,
but the seventh lay on its back, and every time he rose on his tip-toes
to squint down at it, the spout pushed his bonnet over his eyes.
"Smith," he cried in at the door, "to gang hame afore I ken wha that
letter's to is more than I can do."
The smith good-naturedly brought the letter to him, and then glancing at
the address was dumfounded. "God behears," he exclaimed, with a sudden
look at the distant cemetery, "it's to Double Dykes!"
Dite also shot a look at the cemetery. "He'll never get it," he said,
with mighty conviction.
The two men gazed at the cemetery for some time, and at last Dite
muttered, "Ay, ay, Double Dykes, you was aye fond o' your joke!"
"What has that to do wi' 't?" rapped out the smith, uncomfortably.
Dite shuddered. "Man," he said, "does that letter no bring Double Dykes
back terrible vive again! If we was to see him climbing the cemetery
dyke the now, and coming stepping down the fields in his moleskin
waistcoat wi' the pearl buttons--"
Auchterlonie stopped him with a nervous gesture.
"But it couldna be the pearl buttons," Dite added thoughtfully, "for
Betty Finlayson has been wearing them to the kirk this four year. Ay,
ay, Double Dykes, that puts you farther awa' again."
The smith took the letter to a neighbor's house to ask the advice of old
Irons, the blind tailor, who when he lost his sight had given himself
the name of Blinder for bairns to play with.
"Make your mind easy, smith," was Blinder's counsel. "The letter is
meant for the Painted Lady. What's Double Dykes? It's but the name of a
farm, and we gave it to Sanders because he was the farmer. He's dead,
and them that's in the house now become Double Dykes in his place."
But the Painted Lady only had the house, objected Dite; Nether Drumgley
was farming the land, and so he was the real Double Dykes. True, she
might have pretended to her friends that she had the land also.
Public-domain text, read in full here on John Shaqi.
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