Sentimental Tommy: The Story of His BoyhoodBarrie, J. M. (James Matthew)
History
Sentimental Tommy: The Story of His Boyhood
Barrie, J. M. (James Matthew)
London (England) -- History -- 19th century -- Fiction
Unfortunate Suphy! she could not try the window this time, as it was
broad daylight, and the Painted Lady took the letter from her at the
door. She returned crestfallen, and for an hour nothing happened. The
mole-catcher went off to the square, saying, despondently, that nothing
would happen until he was round the corner. No sooner had he rounded the
corner than something did happen.
A girl who had left Double Dykes with a letter was walking quickly
toward Monypenny. She wore a white pinafore over a magenta frock, and no
one could tell her whether she was seven or eight, for she was only the
Painted Lady's child. Some boys, her natural enemies, were behind; they
had just emerged from the Den, and she heard them before they saw her,
and at once her little heart jumped and ran off with her. But the halloo
that told her she was discovered checked her running. Her teeth went
into her underlip; now her head was erect. After her came the rabble
with a rush, flinging stones that had no mark and epithets that hit.
Grizel disdained to look over her shoulder. Little hunted child, where
was succor to come from if she could not fight for herself?
Though under the torture she would not cry out. "What's a father?" was
their favorite jeer, because she had once innocently asked this question
of a false friend. One tried to snatch the letter from her, but she
flashed him a look that sent him to the other side of the dyke, where,
he said, did she think he was afraid of her? Another strutted by her
side, mimicking her in such diverting manner that presently the others
had to pick him out of the ditch. Thus Grizel moved onward defiantly
until she reached Monypenny, where she tossed the letter in at the
smithy door and immediately returned home. It was the letter that had
been sent to her mother, now sent back, because it was meant for the
dead farmer after all.
Public-domain text, read in full here on John Shaqi.
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