Sentimental Tommy: The Story of His BoyhoodBarrie, J. M. (James Matthew)
History
Sentimental Tommy: The Story of His Boyhood
Barrie, J. M. (James Matthew)
London (England) -- History -- 19th century -- Fiction
"Do you no see? She means as she is the Painted Lady's bairn, just the
same as the doll is her bairn."
If the Painted Lady needed to be told this every minute she was daft
indeed, and Elspeth could peer no longer at the eerie spectacle. To
leave Tommy, however, was equally difficult, so she crouched at his feet
when he returned to the window, drawn there hastily by the sound of
music.
The Painted Lady could play on the spinet beautifully, but Grizel could
not play, though it was she who was trying to play now. She was running
her fingers over the notes, producing noises from them, while she swayed
grotesquely on her seat and made comic faces. Her object was to capture
her mother's mind, and she succeeded for a short time, but soon it
floated away from all control, and the Painted Lady fell a-shaking
violently. Then Grizel seemed to be alarmed, and her arms rocked
despairingly, but she went to her mother and took loving hold of her,
and the woman clung to her child in a way pitiful to see. She was on
Grizel's knee now, but she still shivered as if in a deadly chill, and
her feet rattled on the floor, and her arms against the sides of the
chair. Grizel pinned the trembling arms with her own and twisted her
legs round her mother's, and still the Painted Lady's tremors shook
them both, so that to Tommy they were as two people wrestling.
The shivering slowly lessened and at last ceased, but this seemed to
make Grizel no less unhappy. To her vehement attempt to draw her
mother's attention she got no response; the Painted Lady was hearkening
intently for some sound other than Grizel's voice, and only once did she
look at her child. Then it was with cruel, ugly eyes, and at the same
moment she shoved Grizel aside so viciously that it was almost a blow.
Grizel sat down sorrowfully beside her doll, like one aware that she
could do no more, and her mother at once forgot her. What was she
listening for so eagerly? Was it for the gallop of a horse? Tommy
strained his ears.
"Elspeth--speak low--do you hear anything?"
"No; I'm ower fleid to listen."
"Whisht! do you no hear a horse?"
"No, everything's terrible still. Do you hear a horse?"
"I--I think I do, but far awa'."
His imagination was on fire. Did he hear a distant galloping or did he
only make himself hear it? He had bent his head, and Elspeth, looking
affrighted into his face, whispered, "I hear it too, oh, Tommy, so do
I!"
Public-domain text, read in full here on John Shaqi.
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