stone; and though the scene soon settles itself, and looks as real as before, a haunting doubt keeps close at hand, as long as we live, asking, "Is it stable? Am I sure of it? Am I certainly not dreaming? See; it trembles again, ready to dissolve." * * * * * Applying himself with earnest diligence to his attempt to decipher and interpret the mysterious manuscript, working with his whole mind and strength, Septimius did not fail of some flattering degree of success. A good deal of the manuscript, as has been said, was in an ancient English script, although so uncouth and shapeless were the characters, that it was not easy to resolve them into letters, or to believe that they were anything but arbitrary and dismal blots and scrawls upon the yellow paper; without meaning, vague, like the misty and undefined germs of thought as they exist in our minds before clothing themselves in words. These, however, as he concentrated his mind upon them, took distincter shape, like cloudy stars at the power of the telescope, and became sometimes English, sometimes Latin, strangely patched together, as if, so accustomed was the writer to use that language in which all the science of that age was usually embodied, that he really mixed it unconsciously with the vernacular, or used both indiscriminately. There was some Greek, too, but not much. Then frequently came in the cipher, to the study of which Septimius had applied himself for some time back, with the aid of the books borrowed from the college library, and not without success. Indeed, it appeared to him, on close observation, that it had not been the intention of the writer really to conceal what he had written from any earnest student, but rather to lock it up for safety in a sort of coffer, of which diligence and insight should be the key, and the keen intelligence with which the meaning was sought should be the test of the seeker's being entitled to possess the secret treasure.