Why--why was it so difficult to shake off this burthen of mortal clay? She thought of herself as of a sculptor who chisels away all superfluous material froth his block of marble, to reveal the image of the god within; but it was easier to remove the enclosing stone than to release the soul from the body to which it was so closely knit. Still, she did not give up the struggle to attain the object which others had achieved before her; but she got no nearer to it--indeed, less and less near, for, between her and that hoped-for climax, rose up a series of memories and strange faces which she could not get rid of. The chisel slipped aside, went wrong or lost its edge before the image could be extracted from the block. One illusion after another floated before her eyes first it was Gorgo, the idol of her old heart, lying pale and fair on a sea of surf that rocked her on its watery waste--up high on the crest of a wave and then deep down in the abyss that yawned behind it. She, too--so young, a hardly-opened blossom--must perish in the universal ruin, and be crushed by the same omnipotent hand that could overthrow the greatest of the gods; and a glow of passionate hatred snatched her away from the aim of her hopes. Then the dream changed she saw a scattered flock of ravens flying in wide circles, at an unattainable height, against the clouds; suddenly they vanished and she saw, in a grey mist, the monument to Porphyrius’ wife, Gorgo’s long-departed mother. She had often visited the mausoleum with tender emotion, but she did not want to see it now--not now, and she shook it off; but in its place rose up the image of her daughter-in-law herself, the dweller in that tomb, and no effort of will or energy availed to banish that face. She saw the dead woman as she had seen her on the last fateful occasion in her short life. A solemn and festal procession was passing out through the door of their house, headed by flute-players and singing-girls; then came a white bull; a garland of the scarlet flowers of the pomegranate--[This tree was regarded as the symbol of fertility, on account of its many-seeded fruit.]--hung round its massive neck, and its horns were gilt. By its side walked slaves, carrying white baskets full of bread and cakes and heaps of flowers, and these were followed by others, bearing light-blue cages containing geese and doves. The bull, the calves, the flowers and the birds were all to be deposited in the temple of Eileithyia, as a sacrifice to the protecting goddess of women in child-birth. Close behind the bull came Gorgo’s mother, dressed with wreaths, walking slowly and timidly, with shy, downcast eyes-thinking perhaps of the anguish to come, and putting up a silent prayer. Damia followed with the female friends of the house, the clients and their wives and some personal attendants, all carrying pomegranates in the right hand, and holding in the left a long wreath of flowers which thus connected the whole procession.