The country is flooded with productions that sap the foundations of
morality, and which bear that _imprimatur_ given by a poisoned
public opinion to such authors as pander to its craven spirit. The
world judges with a depraved indulgence the book in which it finds
its maxims approved and sanctioned, portraying the exact seducing
picture of its vanities. The purest souls and, not unfrequently,
serious minds are too often imposed upon by those popular prejudices,
and, despite their good reason, yield to their influence by reading
the flimsy productions of depraved minds, which, besides all the
other injuries they cause, rob them of a most precious time. A book
must be very bad before the world condemns it, so bad, in fact, that
its own intrinsic filth disgusts the reader and seals its fate. But,
there is another kind of literature favorably received by that
portion of mankind called respectable, honest, and sometimes even
severe, and whose authority is capable of making a grave impression
on your mind.
It is, therefore, very important for you to know not only the signs
by which to recognize a bad book, but also whom you should consult as
judges in the matter. There can be no question here of those books
professedly immoral, in which vice is eulogized and corrupt maxims
sustained. Those books are not dangerous for you, because they will
not fall under your hands, and even when they would you could not
open one of them without flinging it away with horror;--in this case
the evil--contains in itself its own remedy.
But there are books, less dangerous in appearance, in which the most
delicate situations are represented, clothed in all the charms of
style, well calculated, under their moral guise and serious bearing,
to captivate the heart and imagination. Indeed to represent in lively
colors the terrible effects of the passions, and the fatal
consequences that a momentary excitement might entail is not of a
nature to inspire a young lady with horror for vice and love for
virtue. How is it possible that she will guard against the evil
inclinations of the heart, when she is conscious of the danger in
giving them free scope, and that a momentary forgetfulness is
sometimes punished by a life-time of sorrow and bitterness? Such a
culpable negligence might be accounted for, if there existed a
necessary relation between the will and the imagination, by which the
determinations of the former are necessarily dependant upon the
impressions of the latter.
Public-domain text, read in full here on John Shaqi.
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