Sermons Preached at Brighton: Third SeriesRobertson, Frederick William
Religion
Sermons Preached at Brighton: Third Series
Robertson, Frederick William
Church of England -- Sermons; Sermons, English -- 19th century
There is another way in which we get the victory over doubt, and that
is by living in Christ. All doubt comes from living out of habits of
affectionate obedience to God. By idleness, by neglected prayer, we
lose our power of realizing things not seen. Let a man be religious
and irreligious at intervals--irregular, inconsistent, without some
distinct thing to live for--it is a matter of impossibility that he
can be free from doubts. He must make up his mind for a dark life.
Doubts can only be dispelled by that kind of active life that realizes
Christ. And there is no faith that gives a victory so steadily
triumphant as that. When such a man comes near the opening of the
vault, it is no world of sorrows he is entering upon. He is only going
to see things that he has felt, for he has been living in heaven. He
has his grasp on things that other men are only groping after and
touching now and then. Live above this world, Brethren, and then the
powers of the world to come are so upon you that there is no room for
doubt.
Besides all this, it is a Christian's privilege to have victory over
the fear of death. And here it is exceedingly easy to paint what after
all is only the image-picture of a dying hour. It is the easiest thing
to represent the dying Christian as a man who always sinks into the
grave full of hope, full of triumph, in the certain hope of a blessed
resurrection. Brethren, we must paint things in the sober colours of
truth; not as they might be supposed to be, but as they are. Often
that is only a picture. Either very few death-beds are Christian ones,
or else triumph is a very different thing from what the word generally
implies. Solemn, subdued, full of awe and full of solemnity, is the
dying hour generally of the holiest men: sometimes almost
darkness.--Rapture is a rare thing, except in books and scenes.
Public-domain text, read in full here on John Shaqi.
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