Serpent-Worship, and Other Essays, with a Chapter on TotemismWake, C. Staniland (Charles Staniland)
Religion
Serpent-Worship, and Other Essays, with a Chapter on Totemism
Wake, C. Staniland (Charles Staniland)
Phallicism; Serpent worship; Totemism
It is remarkable
that the “soul of the world,” Chnuphis, or Bait, is represented as a
coluber, and that it appears to be identified with Aphôphis in one
chapter of the Ritual. Mr. Cooper states that, although a large coluber
which is figured as being worshipped resembles Aphôphis, it cannot
be him, as there is no example of direct worship paid to Aphôphis,
“unless, indeed, we identify it with Sutekh, as the Shepherd Kings,
the last but one of whom was named Aphôphis, appear to have done.”
The serpent Aphôphis is sometimes represented with the crown of Lower
Egypt upon his head, and at one period he was identified with Set or
Seth, the national deity of the Hyksos or Shepherd tribes. All traces
of the worship of Set was obliterated from the Egyptian monuments, but
one representation has been preserved in which Set is figured with
Horus, united as one divinity, between the triple serpent of good.
This shows that Set, and probably, therefore, his serpent emblem, was
originally not considered evil. Lower Egypt was largely populated by
Semitic peoples, whose national deity was their legendary ancestor
Seth, and the detestation with which the Egyptians regarded Set and
the serpent Aphôphis identified with him was probably the result of
national enmity. Mr. Cooper points out that the serpent of good is
always represented by the Egyptians as upright and the serpent of evil
as crawling, this being generally the only distinction made. The god
Chnuphis, the “soul of the world,” is usually figured as a Serpent
(Coluber) walking upon two human legs, and curiously enough this is
the form taken by the evil principle of Persian mythology, the great
serpent walking on two feet. A similar inversion of ideas occurs in the
religious mythology of the Naga peoples of the East. Near the ruined
temples of Cambodia, as on the Buddhist Topes of India, are sculptured
gigantic serpents with voluminous folds supported by human figures, as
the gigantic Aphôphis is represented on the Egyptian monuments. There
must have been some special reason why the great serpent was regarded
so differently by various peoples, and this was probably the result of
race antagonism.
Public-domain text, read in full here on John Shaqi.
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