Ballads, Serbian; Folk songs, Serbian; Serbian poetry -- History and criticism; Serbian poetry -- Translations into English
{57} The translation of this poem by Goethe, who disclaims any knowledge
of the original, is perfectly admirable. It first directed attention to
the literature of Servia. His account of it is as follows: “It is now
fifty years since I translated the Lament of the noble Bride of Hassan
Aga, which is found in the Travels of the Abbé Fortis, and in the
Morlachian Notices of the Countess Rosenberg. I rendered it from the
French version, preserving the rhythmus and the measure of the original.”
When Vuk printed his first collection of Servian songs, Goethe was
greatly delighted at finding it among them. It was omitted in his other
editions, because Vuk had not himself heard it in the Servian language;
and it was his determination to publish nothing for whose authenticity he
could not himself personally vouch.
{58} A translation of this ballad, by Grimm, will be found in the fourth
volume of Goethe’s _Für Kunst und Alterthum_, p. 66.
{59a} Kavavlashka.
{59b} Karabogdanska.
{62} Belgrad.
{63} Chekmel-Juprija.
{64a} Scutari.
{64b} King, monarch.
{64c} Governor.
{65} Dok ne najesh dva slichna imena
Dok ne najesh _Stojy_ i _Stojana_.
These are both Servian names, and the point of the ballad must be seen in
their affinity to the verb _stojiti_, to stand, _stojnitza_, standing
(statio).
{74} Neimar.—Master.
{75a} A small stream of liquid carbonate of lime is still shown on the
walls of Scutari, as evidence of the truth of this story.
{75b} A translation of the poem by Grimm is to be found in the 2d part
of the fifth volume of the _Kunst und Altherthum_, p. 24, and Goethe
observes, that it is equally remarkable for its polish and for its
barbarously superstitious sentiment. It represents a human victim as
murdered in its most disgusting shape. A young woman is immured in order
that the fortress of Scutari may be built; and the sacrifice seems less
accountable, since oriental usages have generally only required the
entombment of consecrated pictures or talismans in order to make castles
and asylums impregnable.
{76} The _Polje Kossova_. Amselfeld (German) or Field of Thrushes, was
the scene of Servia’s heaviest calamity, and is the subject of her most
melancholy songs.
{77} A church in the camp.
{81a} Gromovnik Ilija.
{81b} I napija u slavu Ristovu.
{84a} Erdelska Banitza. The wife of the seven-city’d (Transylvanian)
Ban.
{84b} Kalpak—the Hungarian cap.
{95a} Adrianople.
{95b} A commercial town in Servian Macedonia, where Dushan built a
palace. It was the abode of Marko.
{98} Grlo te boleto!—literally, “May thy neck ache!”
{99} Starog Krvnika.
{101} A large water vessel.
{103} Sable cap.
{104a} _Iguman_, _ἡγουμενος_. Hegumenos cœnobii.
{104b} _Svetogortza_, Holy Mountain, Mount Athos.
Public-domain text, read in full here on John Shaqi.
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