Seth's Brother's Wife: A Study of Life in the Greater New YorkFrederic, Harold
General
Seth's Brother's Wife: A Study of Life in the Greater New York
Frederic, Harold
Farm life -- Fiction; Journalists -- Fiction; New York (State) -- Fiction; Villages -- Fiction
As he stopped here now collecting his thoughts, awakening himself as
it were, the sound of chorussinging reached him, faint at first, then
growing more distinct. A wagon-load of young people were returning from
Leander Crump’s husking, enjoying themselves in the fair moonlight.
From the sounds, they must have been about in front of the Fairchild
homestead, and they were coming rapidly toward Seth. If he remained in
the road, they must pass and recognize him.
There was a division line of thorn hedge, long since grown into tall
young trees, coming to the road here, and a path beside it leading to
a rude stile in the turnpike fence. This path went straight to Mrs.
Warren’s house, as Seth had known from boyhood, but he gave this no
thought as he stepped over the stile, and moved along in the shadow of
the thorns. He walked a score of yards or so, and then stepped closer
into the obscurity of the hedge, to wait till the hay-wagon and its
caroling crew had passed by on the road outside. He was feeling very
cold now, and tired to boot, and said to himself that as soon as the
road was clear he would go home and go to bed.
To his surprise the singing came to an abrupt halt, just as the wagon
approached the end of the hedge.
There was a chorus of merry “whoas!” as the horses drew up, and through
the clear air Seth could hear a confused babel of voices, all jovially
discussing something. One male voice, louder than the rest, called out:
“You’d better let me come along with you!”
There was some giggling audible, out of which rose a clear, fresh
girlish voice which Seth knew:
“No, thanks! I can cut across by this path in less than no time. I’m
not afraid. The tramps are all abed and asleep by this time, like other
honest people.”
With more laughter, and a salvo of “good nights!” the wagon started off
again, and Annie Fairchild, singing lightly to herself the refrain of
the chorus, and holding her face up to catch the full radiance of the
moonlight, came walking briskly down the path.
Despite her valiant confidence the young woman gave a visible start of
alarm as Seth stepped out from the shadows to speak to her. She threw
herself forward as if to run, then looked again, stopped, and then gave
a little tremulous laugh, and cried:
“Why, Seth! is that you. Mercy! How you frightened me!”
He could think of nothing better than a feeble parody of her words:
“Yes, it is time all honest people were abed and asleep.”
He said this with a half-smile, but the girl’s face grew more serious
still as she looked at her cousin. She spoke eagerly:--
“Why, what’s the matter with you to-night? Where is your hat? You look
as white as a ghost! Oh--have you come from our house? Is it something
about grandmother?”
“No, it’s nothing about her. I haven’t been nearer your place than this.
I only stepped in here so as to avoid the wagon. I didn’t want them to
see me like this.”
Public-domain text, read in full here on John Shaqi.
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