Seth's Brother's Wife: A Study of Life in the Greater New YorkFrederic, Harold
General
Seth's Brother's Wife: A Study of Life in the Greater New York
Frederic, Harold
Farm life -- Fiction; Journalists -- Fiction; New York (State) -- Fiction; Villages -- Fiction
“That is because you are a city man,” explained the District Attorney.
“You don’t know the kind of murderers we raise here in the country. The
chances are that your city assassin would be tortured by remorse, if
he escaped discovery, and that he committed the deed in a moment of
passion. But the rural murderer (I am speaking of native Americans,
now) plans the thing in cold blood, and goes at it systematically, with
nerves like steel. He generally even mutilates the body, or does some
other horrible thing, which it makes everybody’s blood boil to think of.
And so long as he isn’t found out, he never dreams of remorse. He has no
more moral perspective than a woodchuck. But when detection does
come, it knocks him all in a heap. He blubbers, and tries to lay it on
somebody else, and altogether acts like a cur--just as this fellow ’s
doing now, for instance.”
A hubbub of shrieks and sobs rose from the kitchen as he finished this
sentence, and they with one accord moved toward the door.
The Sheriff, with an eye to his promise to the two men in the kitchen,
had led the livid and slinking wretch out to the centre of the room,
where the dim candles had now been lighted, and, forcing him to hold up
his hands so that the manacles might be fully visible, said to Seth:
“Here yeh air! I said I’d shaow him to yeh! Here is the whelp thet did
th’ mischief. Look at him!”
There was a second of dead silence, as the several listeners took in the
significance of his words, and of the spectacle.
The silence was broken by an inarticulate, indescribable cry from
Aunt Sabrina. Then came with startling swiftness a confusion of moving
bodies, of screams, and the rattling of the handcuffs’ chain, which no
one could follow. When the intervention of the Sheriff and Beekman had
restored quiet, it was discovered that the old lady, with an agility of
which none could have supposed her capable, had snatched a potato
knife from the table, and made a savage attempt to wreak the family’s
vengeance upon Milton. She had not succeeded in inflicting any injury,
save a slight cut on one of his pinioned hands, and Seth now with some
difficulty persuaded her to leave the room.
It fell to Alvira’s lot to bind up the bleeding hand--for Melissa,
undertaking the task, was too nervous and trembling to perform it.
A little dialogue, in hushed whispers, which only imperfectly reached
even the sentinel Sheriff, ensued:
“Sao this is what yeh’ve come tew!”
“It’s all a lie!”
“Oh, don’t tell _me!_ Ef you’d be’n contented with yer lot in life,
’n’ hadn’t tried to swell yerself up like a toad in a puddle, this
wouldn’t a happen’d. But nao, yeh poor fewl, yeh must set yerself up to
_be_ somebody! ’N’ naow where air yeh?”
Words with which to answer rose to Milton’s bloodless lips, but he could
not give them utterance. He could not even look at her, but in a dazed
way stared at the hand, which he held so that she could wind the bandage
in spite of the gyves.
Public-domain text, read in full here on John Shaqi.
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