Seth's Brother's Wife: A Study of Life in the Greater New YorkFrederic, Harold
General
Seth's Brother's Wife: A Study of Life in the Greater New York
Frederic, Harold
Farm life -- Fiction; Journalists -- Fiction; New York (State) -- Fiction; Villages -- Fiction
While these comments were still proceeding the noise of the
press suddenly ceased. The silence was terrible to Seth’s guilty
consciousness, for he had heard enough to know that it was his fault.
Mr. Workman entered the room again, and again Sam-boye’s deep voice was
heard, repeating the awful Sinclair-Lincoln error. Seth had looked at
his fresh copy of the _Chronicle_, with some vague hope that the Editor
was mistaken, but alas! it was too true. Mr. Workman came over to his
stall; he had put his watch back in his pocket, but his countenance was
stern and unbending.
“You are Mr. Fairchild, I presume,” he said.
Seth rose to his feet, blushing, and murmured, “Yes, sir.”
“I understood from your brother that you were used to newspaper work.”
“Well, I thought I was. I have been around the _Banner of Liberty_
office a great deal, but it seems so different on a daily.”
“H’m,--yes. Well, I dare say you’ll learn.”
Luckily the press started up again here, and Mr. Workman, looking at his
watch once more, went down stairs.
Seth felt most grievously depressed. Looking back, his first day had
been full of mortification and failure. The use of scissors and mucilage
brush was painfully unfamiliar to his clumsy fingers. The scope and
intention of the various news departments he had been told to take
charge of were unknown to him, and he had watched Murtagh go over the
matter he submitted, striking out page after page, saying curtly, “We’ve
had this,” “This is only worth a line or two,” or “this belongs in
county notes,” with a sinking heart. His duties were so mechanical and
commonplace, after what he had conceived an editor’s functions to be,
that his ineptitude was doubly humiliating.
Then there was this dreadful proof-reading failure. Murtagh had given
him the sample proof-sheet in the back of the dictionary to copy his
marks from--and he had copied them with such scrupulous efforts after
exactness that the printers couldn’t understand them. These printers--he
could see them through the windows opposite, standing pensively over
their tall cases, and moving their right arms between the frames
and their sticks with the monotonous regularity of an engine’s
piston-rod--seemed a very sarcastic and disagreeable body of men, to
judge by the messages of criticism on his system of marking which the
inky boy had delivered for them with such fidelity and enjoyment during
the day. He had eaten nothing since the early breakfast, and felt faint
and tired. The rain outside, beating dismally on the window and the
tin roof beyond, added to his gloom, and the ceaseless drumming of the
presses below increased his headache.
The other men seemed to have nothing to do now save to talk, but he
turned wearily to the great mound of exchanges from which Murtagh had
directed him to extract “Society Jottings” and “Art, Music and the
Drama” after the paper went to press.
Public-domain text, read in full here on John Shaqi.
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