Seventeen: A Tale of Youth and Summer Time and the Baxter Family, Especially WilliamTarkington, Booth
General
Seventeen: A Tale of Youth and Summer Time and the Baxter Family, Especially William
Tarkington, Booth
Families -- Fiction; First loves -- Fiction; Teenage boys -- Fiction
He uttered a cry. “No! Nothing matters! Nothing matters at all! Do you
s'pose I want that child, with her insults, discussing when Miss Pratt
is or is not going away? Don't you know there are SOME things that have
no business to be talked about by every Tom, Dick, and Harry?”
“Yes, dear,” she said. “I understand, of course. Jane only told me she
met Mr. Parcher on the street, and he mentioned that Miss Pratt was
going at one o'clock to-day. That's all I--”
“You say you understand,” he wailed, shaking his head drearily at the
closed door, “and yet, even on such a day as this, you keep TALKING!
Can't you see sometimes there's times when a person can't stand to--”
“Yes, Willie,” Mrs. Baxter interposed, hurriedly. “Of course! I'm going
now. I have to go hunt up those children, anyway. You try to be back for
lunch at half past one--and don't worry, dear; you really WILL be all
right!”
She departed, a sigh from the abyss following her as she went down the
hall. Her comforting words meant nothing pleasant to her son, who felt
that her optimism was out of place and tactless. He had no intention to
be “all right,” and he desired nobody to interfere with his misery.
He went to his mirror, and, gazing long--long and piercingly--at the
William there limned, enacted, almost unconsciously, a little scene of
parting. The look of suffering upon the mirrored face slowly altered; in
its place came one still sorrowful, but tempered with sweet indulgence.
He stretched out his hand, as if he set it upon a head at about the
height of his shoulder.
“Yes, it may mean--it may mean forever!” he said in a low, tremulous
voice. “Little girl, we MUST be brave!”
And the while his eyes gazed into the mirror, they became expressive
of a momentary pleased surprise, as if, even in the arts of sorrow, he
found himself doing better than he knew. But his sorrow was none the
less genuine because of that.
Then he noticed the ink upon his forehead, and went away to wash. When
he returned he did an unusual thing--he brushed his coat thoroughly,
removing it for this special purpose. After that, he earnestly combed
and brushed his hair, and retied his tie. Next, he took from a drawer
two clean handkerchiefs. He placed one in his breast pocket, part of the
colored border of the handkerchief being left on exhibition, and with
the other he carefully wiped his shoes. Finally, he sawed it back and
forth across them, and, with a sigh, languidly dropped it upon the
floor, where it remained.
Returning to the mirror, he again brushed his hair--he went so far, this
time, as to brush his eyebrows, which seemed not much altered by the
operation. Suddenly, he was deeply affected by something seen in the
glass.
“By George!” he exclaimed aloud.
Public-domain text, read in full here on John Shaqi.
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