Thereupon William essayed a ruse--he pretended to nibble at something, and then extended his hand as if it held forth a gift of food. “Look, Clem,” he said. “Yum-yum! Meat, Clem! Good meat!” For once Clematis was half credulous. He did not advance, but he elongated himself to investigate the extended hand, and the next instant found himself seized viciously by the scruff of the neck. He submitted to capture in absolute silence. Only the slightest change of countenance betrayed his mortification at having been found so easy a gull; this passed, and a look of resolute stoicism took its place. He refused to walk, but offered merely nominal resistance, as a formal protest which he wished to be of record, though perfectly understanding that it availed nothing at present. William dragged him through the long hall and down a short passageway to the cellar door. This he opened, thrust Clematis upon the other side of it, closed and bolted it. Immediately a stentorian howl raised blood-curdling echoes and resounded horribly through the house. It was obvious that Clematis intended to make a scene, whether he was present at it or not. He lifted his voice in sonorous dolor, stating that he did not like the cellar and would continue thus to protest as long as he was left in it alone. He added that he was anxious to see Flopit and considered it an unexampled outrage that he was withheld from the opportunity. Smitten with horror, William reopened the door and charged down the cellar stairs after Clematis, who closed his caitiff mouth and gave way precipitately. He fled from one end of the cellar to the other and back, while William pursued; choking, and calling in low, ferocious tones: “Good doggie! Good ole doggie! Hyuh, Clem! Meat, Clem, meat--” There was dodging through coal-bins; there was squirming between barrels; there was high jumping and broad jumping, and there was a final aspiring but baffled dash for the top of the cellar stairs, where the door, forgotten by William, stood open. But it was here that Clematis, after a long and admirable exhibition of ingenuity, no less than agility, submitted to capture. That is to say, finding himself hopelessly pinioned, he resumed the stoic. Grimly the panting and dripping William dragged him through the kitchen, where the cook cried out unintelligibly, seeming to summon Adelia, who was not present. Through the back yard went captor and prisoner, the latter now maintaining a seated posture--his pathetic conception of dignity under duress. Finally, into a small shed or tool-house, behind Mrs. Baxter's flower-beds, went Clematis in a hurried and spasmodic manner. The instant the door slammed he lifted his voice--and was bidden to use it now as much as he liked. Adelia, with a tray of used plates, encountered the son of the house as he passed through the kitchen on his return, and her eyes were those of one who looks upon miracles. William halted fiercely.