Seventeen: A Tale of Youth and Summer Time and the Baxter Family, Especially WilliamTarkington, Booth
General
Seventeen: A Tale of Youth and Summer Time and the Baxter Family, Especially William
Tarkington, Booth
Families -- Fiction; First loves -- Fiction; Teenage boys -- Fiction
“What's the matter?” he demanded. “Is my face dirty?”
“You mean, are it too dirty to go in yonduh to the party?” Adelia asked,
slowly. “No, suh; you look all right to go in there. You lookin' jes'
fine to go in there now, Mist' Willie!”
Something in her tone struck him as peculiar, even as ominous, but his
blood was up--he would not turn back now. He strode into the hall and
opened the door of the “living-room.”
Jane was sitting on the floor, busily painting sunsets in a large
blank-book which she had obtained for that exclusive purpose.
She looked up brightly as William appeared in the doorway, and in answer
to his wild gaze she said:
“I got a little bit sick, so mamma told me to keep quiet a while. She's
lookin' for you all over the house. She told papa she don't know what in
mercy's name people are goin' to think about you, Willie.”
The distraught youth strode to her. “The party--” he choked. “WHERE--”
“They all stayed pretty long,” said Jane, “but the last ones said they
had to go home to their dinners when papa came, a little while ago.
Johnnie Watson was carryin' Flopit for that Miss Pratt.”
William dropped into the chair beside which Jane had established herself
upon the floor. Then he uttered a terrible cry and rose.
Again Jane had painted a sunset she had not intended.
XV
ROMANCE OF STATISTICS
On a warm morning, ten days later, William stood pensively among his
mother's flowerbeds behind the house, his attitude denoting a low state
of vitality. Not far away, an aged negro sat upon a wheelbarrow in the
hot sun, tremulously yet skilfully whittling a piece of wood into the
shape of a boat, labor more to his taste, evidently, than that which he
had abandoned at the request of Jane. Allusion to this preference for
a lighter task was made by Genesis, who was erecting a trellis on the
border of the little garden.
“Pappy whittle all day,” he chuckled. “Whittle all night, too! Pappy, I
thought you 'uz goin' to git 'at long bed all spade' up fer me by noon.
Ain't 'at what you tole me?”
“You let him alone, Genesis,” said Jane, who sat by the old man's side,
deeply fascinated. “There's goin' to be a great deal of rain in the next
few days maybe, an' I haf to have this boat ready.”
The aged darky lifted his streaky and diminished eyes to the burnished
sky, and laughed. “Rain come some day, anyways,” he said. “We git de
boat ready 'fo' she fall, dat sho.” His glance wandered to William and
rested upon him with feeble curiosity. “Dat ain' yo' pappy, is it?” he
asked Jane.
“I should say it isn't!” she exclaimed. “It's Willie. He was only
seventeen about two or three months ago, Mr. Genesis.” This was not the
old man's name, but Jane had evolved it, inspired by respect for one so
aged and so kind about whittling. He was the father of Genesis, and the
latter, neither to her knowledge nor to her imagination, possessed a
surname.
Public-domain text, read in full here on John Shaqi.
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