Seventeen: A Tale of Youth and Summer Time and the Baxter Family, Especially WilliamTarkington, Booth
General
Seventeen: A Tale of Youth and Summer Time and the Baxter Family, Especially William
Tarkington, Booth
Families -- Fiction; First loves -- Fiction; Teenage boys -- Fiction
The laughter of William and Joe Bullitt, designed to express cordiality,
suddenly became flaccid and died. If Mr. Crooper had been a sensitive
person he might have perceived the chilling disapproval in their
glances, for they had just begun to be most unfavorably impressed with
him. The careless loudness--almost the notoriety--with which he had
uttered Miss Pratt's name, demanding loosely to be presented to her,
regardless of the well-known law that a lady must first express some
wish in such matters--these were indications of a coarse nature sure
to be more than uncongenial to Miss Pratt. Its presence might make the
whole occasion distasteful to her--might spoil her day. Both William and
Joe Bullitt began to wonder why on earth Johnnie Watson didn't have
any more sense than to invite such a big, fat lummox of a cousin to the
party.
This severe phrase of theirs, almost simultaneous in the two minds, was
not wholly a failure as a thumb-nail sketch of Mr. George Crooper. And
yet there was the impressiveness of size about him, especially about
his legs and chin. At seventeen and eighteen growth is still going on,
sometimes in a sporadic way, several parts seeming to have sprouted
faster than others. Often the features have not quite settled down
together in harmony, a mouth, for instance, appearing to have gained
such a lead over the rest of a face, that even a mother may fear it
can never be overtaken. Voices, too, often seem misplaced; one hears,
outside the door, the bass rumble of a sinister giant, and a mild boy,
thin as a cricket, walks in. The contrary was George Crooper's case;
his voice was an unexpected piping tenor, half falsetto and frequently
girlish--as surprising as the absurd voice of an elephant.
He had the general outwardness of a vast and lumpy child. His chin had
so distanced his other features that his eyes, nose, and brow seemed
almost baby-like in comparison, while his mountainous legs were the
great part of the rest of him. He was one of those huge, bottle-shaped
boys who are always in motion in spite of their cumbersomeness. His
gestures were continuous, though difficult to interpret as bearing
upon the subject of his equally continuous conversation; and under all
circumstances he kept his conspicuous legs incessantly moving, whether
he was going anywhere or remaining in comparatively one spot.
His expression was pathetically offensive, the result of his bland
confidence in the audible opinions of a small town whereof his father
was the richest inhabitant--and the one thing about him, even more
obvious than his chin, his legs, and his spectacular taste in flannels,
was his perfect trust that he was as welcome to every one as he was to
his mother. This might some day lead him in the direction of great pain,
but on the occasion of the “subscription party” for Miss Pratt it gave
him an advantage.
Public-domain text, read in full here on John Shaqi.
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