Seventeen Years Among the Sea Dyaks of Borneo: A Record of Intimate Association with the Natives of the Bornean JunglesGomes, Edwin Herbert
History
Seventeen Years Among the Sea Dyaks of Borneo: A Record of Intimate Association with the Natives of the Bornean Jungles
Gomes, Edwin Herbert
Iban (Bornean people); Sarawak (Malaysia) -- Description and travel
4. _Betanam pentik_ (“planting a _pentik_”): A _pentik_ is a roughly
carved wooden representation of a man. The _manang_ rushes through
the house three times with this figure, and then plants it in the
ground at the foot of the ladder of the house, and near it is put a
winnowing-basket, a cooking-pot, and the piece of wood used in weaving to
press the threads together. The figure is planted in the ground in the
evening. If it remain till the morning in an upright position, recovery
is certain; but if it be inclined either to the right or left, it is an
omen of death.
5. _Bepancha_ (“making a _pancha_”): A _pancha_ is a swing erected on the
tanju, or open-air platform, of the house. In this swing the _manang_
sits, and by the movement of his feet “kicks away” the disease. While
seated in this swing he “catches the soul” of the patient.
6. _Ngelembayan_ (“taking a long sight”): A number of planks are laid
about in the public veranda, and the _manangs_ walk upon them, chanting
their incantations. Then one of their number pretends to swoon, and is
supposed to sail over rivers and seas to find the soul and bring it back.
7. _Bebayak_ (“making a _bayak_, or iguana”): Some cooked rice is moulded
into the shape of an iguana, and is covered over with cloths. This figure
is supposed to eat up the evil spirits which cause the disease.
8. _Nemuai Ka Sabayan_ (“making a journey to Hades”): The _manangs_,
with hats on their heads, march up and down the house singing their
incantations. While their bodies are doing this, their souls are supposed
to speed away to Hades and bring back all manner of medicinal charms and
talismans, as well as the wandering soul of the sick man.
9. _Betiang garong_ (“making a post for departed souls”): A piece of
bamboo is hung up to the roof-ridge, and an offering is put on the
ridge. A swing is erected up there for the _manang_, and he makes his
incantations and “catches the soul.”
10. _Begiling lantai_ (“rolled up in the flooring”): In this ceremony,
when the _manang_ feigns to swoon, his body is rolled up in part of the
flooring, and certain miniature articles are put by his side, just as a
dead man’s possessions are put by his body, and the _manang_ is taken out
of the house as if to be buried.
11. _Beburong raia_ (“making or acting the adjutant bird”): The _manangs_
walk up and down the house seven times, imitating the actions of the
adjutant bird. They are covered with native sheets, put over their bodies
like cloaks, and they pretend to personate the bird.
12. _Bebaju besi_ (“wearing an iron coat”): Each _manang_ fastens two
choppers on his back and two in front, and carries one in each hand. Thus
equipped, they walk round and “catch the soul.”
13. _Bebandong Api_ (“displaying fire”): The patient is laid out in the
public part of the house, and several small fires are made round him. The
_manangs_ pretend to dissect his body, and fan the flames towards him to
drive away the sickness.
Public-domain text, read in full here on John Shaqi.
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