From Jefferies one’s thoughts pass naturally to Mr. W. H. Hudson. It must be over twenty-five years since through the hospitality of Mrs. E. Phillips, of Croydon, an ardent bird-lover and humanitarian, I had the good fortune to be introduced to Mr. Hudson and to his books. A philosopher and keen observer of all forms of life, he is far from being an ornithologist only; but there are certain sympathies that give rise to a sort of natural freemasonry among those who feel them; and of these one of the pleasantest and most human is the love of birds--not of cooked birds, if you please, associated with dining-room memories of “the pleasures of the table,” nor of caged birds in drawing-rooms, nor of stuffed birds in museums; but of real birds, live birds, wild birds, free to exercise their marvellous faculties of flight and song. From this love has sprung a corresponding bird-literature; and of the notable names among the prophets and interpreters of bird life, the latest, and in my opinion the greatest, is that of Mr. Hudson: his books, in not a few chapters and passages, rise above the level of mere natural history, and affect the imagination of the reader as only great literature can. If he is an unequal writer and somewhat desultory, perhaps, in his manner of work, yet at his best he is the greatest living master of English prose. Such books as _The Naturalist in La Plata_ and _Nature in Downland_ (to name two only) are classics that can never be forgotten. And Mr. Hudson’s influence, it should be noted, has been thrown more and more on the side of that humane study of natural history which Thoreau adopted: his verdict is given in no uncertain language against the barbarous habits of game-keeper and bird-catcher, fashionable milliner, and amateur collector of “specimens.” If a single title were to be sought for Mr. Hudson’s writings, the name of one of his earlier books, _Birds and Man_, might be the most appropriate; for there seems almost to be a mingling of the avian with the human in his nature: I have sometimes fancied that he must be a descendant of Picus, or of some other prehistoric hero who was changed into a bird. There is a passage in Virgil’s _Æneid_ where Diomede is represented as lamenting, as a “fearful prodigy,” such metamorphosis of his companions. Lost friends, to birds transfigured, skyward soar, Or fill the rocky wold with wailing cries. But if such a vicissitude were to befall any of Mr. Hudson’s friends, I feel sure that, far from being dismayed by it, he would be able to continue his acquaintance with them on terms of entire understanding: they would in no sense be “lost” because they were feathered. To him a much more fearful prodigy is the savage fashion of wearing the skins and feathers of slaughtered birds as ornamental head-gear.