The Capilla de San Hermenegildo has a good statue of the saint by Montañez, and a fine sepulchral monument to Archbishop Juan de Cervantes (1453), by Lorenzo Mercadante de Bretaña, the master of Nufro Sanchez. The Capilla de San José contains “The Espousals of the Virgin” by Valdés Leal, a “Nativity of Christ” by Antolinez, and an inferior retablo (“The Massacre of the Innocents”). The Capilla de Santa Ana possesses a Gothic retablo, dating from about 1450, and divided into fourteen sections. It comes from the old Mosque-Cathedral. The lower part of the work, illustrating the life of St Anne, dates from 1504, the artists having been Hernandez and Barbara Marmolejo. From beneath the tribune a staircase leads to the Archives, which escaped demolition at the hands of the French, through having been sent to Cadiz. The last chapel in the south aisle (San Laureano) is dedicated to a saint, who, like St Denis of France, having been decapitated, performed the unusual feat of walking away with his head under his arm. Here is the tomb of Archbishop de Ejea, who died in 1417. On the west side of the Cathedral are five small chapels. The Nacimiento chapel contains an admirable “Nativity with the Four Evangelists” by Luis de Vargas, and a “Virgin and St Anne” by Morales. To the right of the Puerta Mayor is the altar of Nuestra Señora del Consuelo, with a “Holy Family,” the masterpiece of Alonso Miguel de Tobar (1678-1738), esteemed the ablest of Murillo’s pupils. Facing this is the little altar of Santo Angel, with a “Guardian Angel” by Murillo. The altar of the Visitation has a good retablo by Pedro Villegas de Marmolejo (1502-1569), and a statue of St Jerome by his namesake, Geronimo Hernandez. Near the north-western corner of the church the Puerta del Sagrario leads into the Sagrario or Parish Church. This was built between 1618 and 1662 in the Baroque style by Miguel Zumarraga and Fernandez de Iglesias. The width of the single arch of which the roof consists is believed to endanger the safety of the edifice. The rich statues that adorn the interior are by Dayne and Jose de Arce. There is a notable retablo by Pedro Roldan which came from a Franciscan convent now suppressed. The wall of the sacristy is faced with beautiful _azulejos_ of the Arabian period, and in one of the side-chapels is a noteworthy statue of the Virgin by Montañez. In the vault beneath this impressive church the Archbishops of Seville are buried.