Returning to the Cathedral, we find on the left the Capilla del Bautisterio or of San Antonio. It is famous for one of Murillo’s finest works, “St Anthony of Padua’s Vision of the Child Jesus.” This is the picture which was stolen in 1874, conveyed to New York, sold to a Mr Schaus for £50, and by him returned to the ecclesiastical authorities. This chapel is also remarkable for its _pila_ or font, the work of Antonio Florentin, and Giralda windows. Next to it is the Capilla de las Escalas, with two pictures by Luca Giordano, “strong in character, drawing, and colour,” and the sepulchre of Bishop Baltasar del Rio (about 1500); then comes the Capilla de Santiago, with paintings by Valdés Leal and Juan de las Roelas, a stained-glass window with the richest tones, and the tomb of Archbishop Gonzalo de Mena (1401); and the Capilla de San Francisco, with another fine window, and an ambitious “Apotheosis of St Francis” by Herrera el Mozo. Separated from this chapel by the Puerta de los Naranjos is the Capilla de la Visitacion (or Doncellas). The Puerta is furnished with two altars, one, the Altar de la Asunción, the other, the Virgen de Belén. The former has a painting by Carlo Maratta, the latter a “Virgin and Child” by Alonso Cano. The Capilla de los Evangelistas has an altar-piece in nine parts by Hernando de Sturmio (1555), which shows us the Giralda as it was before the present upper part had been added. Crossing before the Puerta Lagarto we reach the little chapel of Nuestra Señora del Pilar, with a notable “Madonna and Child” by Pedro Millan. The altar-piece of the Capilla de San Pedro, between this chapel and the Capilla Real, has paintings by Zurbarán, hardly distinguishable in the dim light. On the other side of the Capilla Real is the Chapel of la Concepcion Grande, containing pictures relating to the Immaculate Conception, and a crucifix attributed to Alonso Cano. Here is also a fine modern monument to Cardinal Cienfuegos. OTHER BUILDINGS OF THE FIFTEENTH AND SIXTEENTH CENTURIES