Seville: an historical and descriptive account of "the pearl of Andalusia"Calvert, Albert Frederick
History
Seville: an historical and descriptive account of "the pearl of Andalusia"
Calvert, Albert Frederick
Art -- Spain -- Seville; Painters -- Spain; Seville (Spain) -- Description and travel
The colony proved not unworthy of the great capital. Hence sprang the
illustrious line of the Ælii, and most of the eminent Roman Spaniards
who conferred such lustre on the early Empire are believed to have
been natives of the place. It is not, therefore, to be wondered at
that the citizens should have preferred a nominal dependence on the
Mother City to the quasi-independence of a provincial municipality.
But Italica never seems to have been a city in the modern sense of
the word. Excavations have revealed extremely few remains of private
habitations or bazaars. The only vestiges are those of great public
monuments--temples, palaces, amphitheatres, baths. The Emperors seem to
have delighted to embellish this small town with ornaments quite out of
proportion to its size and population, and it is clear that it never
was a serious rival to its older neighbour, Hispalis.
Its downfall, like its history, is mysterious. Leovigild occupied it
while besieging Seville, which was held by his son, Hermenigild. Later
on, the Arabs are said to have demolished it almost completely, and
to have carried off numerous statues, columns, and blocks of masonry
to serve in the construction and adornment of the neighbouring city.
Then Italica disappeared from history. Earthquakes finished the work
of ruin, and the scattered stones went to the making of the miserable
village of Santi Ponce--a name which some derive from that of San
Geroncio, a Bishop of Italica in early times.
The amphitheatre is now all that remains to attest the erstwhile
splendour of the darling colony of the Ælii. It is a melancholy and
yet a pretty spot, approached through olive plantations. Some of the
walls are still standing, and enable us to determine the dimensions,
which are stated at 291 feet length and 204 feet breadth. You may still
see the Podium or stone platform, whereon the civic dignitaries sate,
and the upper tiers appropriated to the populace. You may pass down
the vomitoria, through which the spectators streamed, glutted with
the sight of blood, and penetrate to the dens and chambers, wherein
gladiators and wild beasts were confined before the combat. Italica is
more a place to muse in than to explore. The place has long since been
rifled of all its treasures. Extensive ruins of what was believed to
have been the palace of Trajan existed down till the great earthquake
of 1755, and all that was spared were three statues preserved in the
Museo Provincial or Picture Gallery.
Public-domain text, read in full here on John Shaqi.
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