Courtyard of La Caridad.] [Illustration: PLATE 283. Plaza de San Fernando.] [Illustration: PLATE 284. Plaza de Gavidia.] [Illustration: PLATE 285. View from the Pasadera.] [Illustration: PLATE 286. The Drive.] [Illustration: PLATE 287. Paseo de las Delicias.] [Illustration: PLATE 288. The Quay.] [Illustration: PLATE 289. Partial View of Seville.] [Illustration: PLATE 290. Plaza de Toros.] [Illustration: PLATE 291. Fields of San Sebastian.] [Illustration: PLATE 292. Park of Maria Luisa.] [Illustration: PLATE 293. Railway Station of M.Z.A. Principal Façade.] [Illustration: PLATE 294. Railway Station of M.Z.A. General View.] [Illustration: PLATE 295. Triana Bridge.] [Illustration: PLATE 296. View from Triana Bridge.] [Illustration: PLATE 297. View from Triana.] [Illustration: PLATE 298. San Telmo from Triana.] [Illustration: PLATE 299. The Cathedral. Our Lord Crucified. Sculpture in the Sacristy.] [Illustration: PLATE 300. SEVILLE _Specially drawn for The Spanish Series_] FOOTNOTES: [A] There is one picture only by Roelas in the Prado. His work is hardly known outside Seville. In England we have at least one of his pictures, a fine example, in a private collection. [B] There is a picture by El Greco, the wonderful portrait of himself, in the Museum. It came quite recently from the Palace of San Telmo, where also was once the really grand picture, “The Death of Laocoön and his Sons at the Siege of Troy.” The remarkable and interesting “Trinity” in the Cathedral, attributed to El Greco, is the work of his pupil Luis Tristan, a painter neglected too long. Seville has no picture by Navarrete; the one work of Morales, the triptych in the Sacristiá de los Calices of the Cathedral, is not typical of his strange power. [C] The most important is the “Adoration of the Shepherds,” until recently in the Palace of San Telmo; but this work has been removed with other pictures in the collection of the Infanta Maria Luisa Fernanda de Bourbon. The really fine picture on the same subject in our National Gallery is now attributed to Zurbarán; probably to him, too, belongs the “Dead Warrior,” now assigned to Velazquez.