Sex & Character: Authorised Translation from the Sixth German EditionWeininger, Otto
Philosophy
Sex & Character: Authorised Translation from the Sixth German Edition
Weininger, Otto
Character; Sex; Sex (Psychology); Sexual ethics
The history of the human race (naturally I mean the history of its mind
and not merely of its wars) is readily intelligible on the theory of the
appearance of genius, and of the imitation by the more monkey-like
individuals of the conduct of those with genius. The chief stages, no
doubt, were house-building, agriculture, and, above all, speech. Every
single word has been the invention of a single man, as, indeed, we still
see, if we leave out of consideration the merely technical terms. How
else could language have arisen? The earliest words were
“onomatopoetic”; a sound similar to the exciting cause was evolved
almost without the will of the speaker, in direct response to the
sensuous stimulation. All the other words were originally metaphors, or
comparisons, a kind of primitive poetry, for all prose has come from
poetry. Many, perhaps the majority of the greatest geniuses, have
remained unknown. Think of the proverbs, now almost commonplaces, such
as “one good turn deserves another.” These were said for the first time
by some great man. How many quotations from the classics, or sayings of
Christ, have passed into the common language, so that we have to think
twice before we can remember who were the authors of them. Language is
as little the work of the multitude as our ballads. Every form of speech
owes much that is not acknowledged to individuals of another language.
Because of the universality of genius, the words and phrases that he
invents are useful not only to those who use the language in which he
wrote them. A nation orients itself by its own geniuses, and derives
from them its ideas of its own ideals, but the guiding star serves also
as a light to other nations. As speech has been created by a few great
men, the most extraordinary wisdom lies concealed in it, a wisdom which
reveals itself to a few ardent explorers but which is usually overlooked
by the stupid professional philologists.
The genius is not a critic of language, but its creator, as he is the
creator of all the mental achievements which are the material of culture
and which make up the objective mind, the spirit of the peoples. The
“timeless” men are those who make history, for history can be made only
by those who are not floating with the stream. It is only those who are
unconditioned by time who have real value, and whose productions have an
enduring force. And the events that become forces of culture become so
only because they have an enduring value.
Public-domain text, read in full here on John Shaqi.
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