In a certain sense this is an end of the investigation, a final conclusion to which all analysis of the female leads. And although this conclusion, put thus concisely, seems harsh and intolerant, paradoxical and too abrupt in its novelty, it must be remembered that the author is not the first who has taken such a view; he is more in the position of one who has discovered the philosophical grounds for an opinion of long standing. The Chinese from time immemorial have denied that women possess a personal soul. If a Chinaman is asked how many children he has, he counts only the boys, and will say none if he has only daughters. Mahomet excluded women from Paradise for the same reason, and on this view depends the degraded position of women in Oriental countries. Amongst the philosophers, the opinions of Aristotle must first be considered. He held that in procreation the male principle was the formative active agent, the “logos,” whilst the female was the passive material. When we remember that Aristotle uses the word “soul” for the active, formative, causative principle, it is plain that his idea was akin to mine, although, as he actually expressed it, it related only to the reproductive process; it is clear, moreover, that he, like all the Greek philosophers except Euripides, paid no heed to woman, and did not consider her qualities from any other point of view than that of her share in reproduction. Amongst the fathers of the Church, Tertullian and Origen certainly had a very low opinion of woman, and St. Augustine, except for his relations with his mother, seems to have shared their view. At the Renaissance the Aristotelian conceptions gained many new adherents, amongst whom Jean Wier (1518-1588) may be cited specially. At that period there was a general, more sensible and intuitive understanding on the subject, which is now treated as merely curious, contemporary science having bowed the knee to other than Aristotelian gods. In recent years Henrik Ibsen (in the characters of Anitra, Rita, and Irene) and August Strindberg have given utterance to this view. But the popularity of the idea of the soullessness of woman has been most attained by the wonderful fairy tales of Fouqué, who obtained the material for them from Paracelsus, after deep study, and which have been set to music by E. T. A. Hoffman, Girschner, and Albert Lorzing. Undine, the soulless Undine, is the platonic idea of woman. In spite of all bi-sexuality she most really resembles the actuality. The well-known phrase, “Women have no character,” really means the same thing. Personality and individuality (intelligible), ego and soul, will and (intelligible) character, all these are different expressions of the same actuality, an actuality the male of mankind attains, the female lacks.