Here it may be said that for woman the problem of solitude and society does not exist. She is well adapted for social relations (as, for instance, those of a companion or sick-nurse), simply because for her there is no transition from solitude to society. In the case of a man, the choice between solitude and society is serious when it has to be made. The woman gives up no solitude when she nurses the sick, as she would have to do were she to deserve moral credit for her action; a woman is never in a condition of solitude, and knows neither the love of it nor the fear of it. The woman is always living in a condition of fusion with all the human beings she knows, even when she is alone; she is not a “monad,” for all monads are sharply marked off from other existences. Women have no definite individual limits; they are not unlimited in the sense that geniuses have no limits, being one with the whole world; they are unlimited only in the sense that they are not marked off from the common stock of mankind. This sense of continuity with the rest of mankind is a sexual character of the female, and displays itself in the desire to touch, to be in contact with, the object of her pity; the mode in which her tenderness expresses itself is a kind of animal sense of contact. It shows the absence of the sharp line that separates one real personality from another. The woman does not respect the sorrow of her neighbour by silence; she tries to raise him from his grief by speech, feeling that she must be in physical, rather than spiritual contact with him. This diffused life, one of the most fundamental qualities of the female nature, is the cause of the impressibility of all women, their unreserved and shameless readiness to shed tears on the most ordinary occasion. It is not without reason that we associate wailing with women, and think little of a man who sheds tears in public. A woman weeps with those that weep and laughs with those that laugh--unless she herself is the cause of the laughter--so that the greater part of female sympathy is ready-made. It is only women who demand pity from other people, who weep before them and claim their sympathy. This is one of the strongest pieces of evidence for the psychical shamelessness of women. A woman provokes the compassion of strangers in order to weep with them and be able to pity herself more than she already does. It is not too much to say that even when a woman weeps alone she is weeping with those that she knows would pity her and so intensifying her self-pity by the thought of the pity of others. Self-pity is eminently a female characteristic; a woman will associate herself with others, make herself the object of pity for these others, and then at once, deeply stirred, begin to weep with them about herself, the poor thing. Perhaps nothing so stirs the feeling of shame in a man as to detect in himself the impulse towards this self-pity, this state of mind in which the subject becomes the object.