Sex & Character: Authorised Translation from the Sixth German EditionWeininger, Otto
Philosophy
Sex & Character: Authorised Translation from the Sixth German Edition
Weininger, Otto
Character; Sex; Sex (Psychology); Sexual ethics
The schemer will readily recognise his fellow; an impassioned player
easily reads the same power in another person; whilst those with no
special powers will observe nothing. Art discerns itself best, as Wagner
said. In the case of complex personalities the matter stands thus: one
of these can understand other men better than they can understand
themselves, because within himself he has not only the character he is
grasping, but also its opposite. Duality is necessary for observation
and comprehension; if we inquire from psychology what is the most
necessary condition for becoming conscious of a thing, for grasping it,
we shall find the answer in “contrast.” If everything were a uniform
grey we should have no idea of colour; absolute unison of sound would
soon produce sleep in all mankind; duality, the power which can
differentiate, is the origin of the alert consciousness. Thus it happens
that no one can understand himself were he to think of nothing else all
his life, but he can understand another to whom he is partly alike, and
from whom he is also partly quite different. Such a distribution of
qualities is the condition most favourable for understanding. In short,
to understand a man means to have equal parts of himself and of his
opposite in one.
That things must be present in pairs of contrasts if we are to be
conscious of one member of the pair is shown by the facts of
colour-vision. Colour-blindness always extends to the complementary
colours. Those who are red blind are also green blind; those who are
blind to blue have no consciousness of yellow. This law holds good for
all mental phenomena; it is a fundamental condition of consciousness.
The most high-spirited people understand and experience depression much
more than those who are of level disposition. Any one with so keen a
sense of delicacy and subtilty as Shakespeare must also be capable of
extreme grossness.
The more types and their contrasts a man unites in his own mind the less
will escape him, since observation follows comprehension, and the more
he will see and understand what other men feel, think, and wish. There
has never been a genius who was not a great discerner of men. The great
man sees through the simpler man often at a glance, and would be able to
characterise him completely.
Public-domain text, read in full here on John Shaqi.
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